Endorsements

• “Through notated exercises, visual aids, and fingering approaches, Rob Thomas presents a detailed and logical approach for four-stringed fretless instrumentalists to understand and navigate scales and chord changes. He has mapped out a practical way to understand jazz harmony and fingering applications that are essential to playing jazz.” – Regina Carter
• “In the 1990s, one evening, I heard Rob Thomas playing the Clifford Brown tune 'Daahoud.' He played such a beautiful and musical solo, in such an effortless way, I still remember it to this day. It was a tune I always found challening – with the inconvenient key centers of C-flat major and E-flatmin(Maj7), and then ending in E major. I often wondered what methods or thinking Rob had used to get the results I heard, as he burned through this tune.
  
  Now, with this book, Rob offers a full disclosure of his approach. It is so clearly written and its ideas are expressed so transparently that I will be using it as a method book with my students – as well as working out of it myself to solve some problems that still plague me. I recommend this book to all violinists and violists who want to unlock the mysteries of improvising in all twelve tonalities.
  
  Rob, thank you for your great contribution!” – Mark Feldman
• “Great book for violinists who are eager to learn what improvisation is about, and to help keep in technical and mental shape those who already know.” – Jean-Luc Ponty
• “The nuts and bolts of violinistic liberation!” – Jenny Scheinman
• “Rob Thomas's A Modern Method for Violin Scales belongs in the library – and in the fingers – of every serious violinist. For many years, Rob's approach has laid the essential technical foundation for violinists of all genres at Berklee College of Music. Time and again, his systematic approach to mastering all diatonic modes in all twelve keys has produced immediate and far-reaching results.
  
  In my estimation, this scale system represents as significant a contribution to the violin literature as the timeless scale methods of Carol Flesch and Ivan Galamian. Moreover, Rob's approach addresses contemporary musical language, harmony, ear training, and improvisation – aspects that are sorely lacking from historical scale methods.
  
  My students and I have reaped tremendous dividends from internalizing and practicing Rob's system. You and your students will too.” – David Wallace, Chair of the String Department, Berklee College of Music