The term “tangent” appears in geometry, art and language, and can describe lines, shapes or thoughts that connect or touch, but do not cross or overlap. In this exciting and creative work for young bands, Michael Oare uses contrasting marcato and legato themes along with an underlying rhythmic ostinate to create an unsettled yet dramatic sense of “going off on a tangent.”
Instrumentation | Number of Parts | Pages Per Part |
---|---|---|
CONDUCTOR SCORE (FULL SCORE) | 1 | 12 |
FLUTE | 8 | 1 |
OBOE | 2 | 1 |
BASSOON | 2 | 1 |
BB CLARINET 1 | 6 | 1 |
BB CLARINET 2 | 6 | 1 |
BB BASS CLARINET | 2 | 1 |
EB ALTO SAXOPHONE 1 | 2 | 1 |
EB ALTO SAXOPHONE 2 | 2 | 1 |
BB TENOR SAXOPHONE | 2 | 1 |
EB BARITONE SAXOPHONE | 1 | 1 |
BB TRUMPET 1 | 5 | 1 |
BB TRUMPET 2 | 5 | 1 |
F HORN | 4 | 1 |
TROMBONE/BARITONE B.C. | 8 | 1 |
BARITONE T.C. | 2 | 1 |
TUBA | 4 | 1 |
PERCUSSION 1 | 4 | 1 |
PERCUSSION 2 | 2 | 1 |
MALLET PERCUSSION 1 | 2 | 1 |
MALLET PERCUSSION 2 | 2 | 1 |
TIMPANI | 1 | 1 |
Prices and availability subject to change without notice.
The term “tangent” appears in geometry, art and language, and can describe lines, shapes or thoughts that connect or touch, but do not cross or overlap. In this exciting and creative work for young bands, Michael Oare uses contrasting marcato and legato themes along with an underlying rhythmic ostinate to create an unsettled yet dramatic sense of “going off on a tangent.”
Prices and availability subject to change without notice.
Series: MusicWorks Grade 1
4006639