First published in Germany in 1964, Franz Biebl's Ave Maria was originally scored for seven-part men¹s choir. This expressive transcription is based on a mixed choir version in order to better match the registration of a wind ensemble. Layered woodwinds and brass create the effect of the choral version's overlapping male and female voices. Dur: 5:40
Audio recorded by the Duquesne University Wind Symphony; Robert Cameron, conductor
Instrumentation | Number of Parts | Pages Per Part |
---|---|---|
FULL SCORE | 1 | 12 |
FLUTE 1 & 2 | 6 | 1 |
OBOE 1 & 2 | 2 | 1 |
BB CLARINET 1 | 4 | 1 |
BB CLARINET 2 | 4 | 1 |
BB CLARINET 3 | 4 | 1 |
BB BASS CLARINET | 2 | 1 |
BASSOON 1 & 2 | 2 | 1 |
EB ALTO SAX 1 | 3 | 1 |
EB ALTO SAX 2 | 3 | 1 |
BB TENOR SAX | 3 | 1 |
EB BARITONE SAX | 2 | 1 |
F HORN 1 | 1 | 1 |
F HORN 2 | 1 | 1 |
F HORN 3 | 1 | 1 |
F HORN 4 | 1 | 1 |
BB TRUMPET 1 | 4 | 1 |
BB TRUMPET 2 | 4 | 1 |
BB TRUMPET 3 | 4 | 1 |
TROMBONE 1 | 2 | 1 |
TROMBONE 2 | 2 | 1 |
TROMBONE 3 | 2 | 1 |
BARITONE B.C. | 2 | 1 |
BARITONE T.C. | 1 | 1 |
TUBA | 6 | 1 |
STRING BASS | 1 | 1 |
CHIMES | 1 | 1 |
Prices and availability subject to change without notice.
Series: Windependence Master Level
48007045