When Karl King was conducting circus bands, he would frequently edit his marches so the same composition could be used for contrasting acts (for example a “lion” act one time, and a “trapeze” act the next). In the same spirit, Thomas Leslie has creatively repurposed this familiar march to suit an imaginary “clown” act; complete with novelty percussion sounds and a few surprises sprinkled in. A bit outrageous, but definitely fun! Dur: c. 2:20
Instrumentation
Instrumentation
Number of Parts
Pages Per Part
CONDUCTOR SCORE (FULL SCORE)
1
16
PICCOLO
1
2
FLUTE
8
2
OBOE
2
1
BASSOON
2
2
BB CLARINET 1
4
2
BB CLARINET 2
4
2
BB CLARINET 3
4
2
BB BASS CLARINET
2
2
ALTO SAX/SPORANO SAX
4
2
ALTERNATE ALTO SAX
4
2
BB TENOR SAXOPHONE
2
2
EB BARITONE SAXOPHONE
1
2
SOLO BB CORNET
2
2
BB CORNET 1
3
2
BB CORNET 2
3
2
BB CORNET 3
3
2
F HORN 1
1
2
F HORN 2
1
2
F HORN 3
1
2
F HORN 4
1
2
TROMBONE 1
2
2
TROMBONE 2
2
2
BASS TROMBONE
2
2
BARITONE B.C.
2
2
BARITONE T.C.
2
2
TUBA
4
2
STRING BASS
1
2
PERCUSSION 1
2
1
PERCUSSION 2
2
1
PERCUSSION 3
2
1
PERCUSSION 4
2
1
Product Details
#HL 4005396
888680720612
9.0"
12.0"
0:02:20
Prices and availability subject to change without notice.
When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a “lion” act one time, and a “trapeze” act the next). In the same spirit, Thomas Leslie has creatively repurposed this familiar march to suit an imaginary “clown” act; complete with novelty percussion sounds and a few surprises sprinkled in. A bit outrageous, but definitely fun! Dur: c. 2:20
Product Details
#HL 4005397
888680720629
9.0"
12.0"
0:02:20
16 Pages
Prices and availability subject to change without notice.