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Reviewing The Situation View 21 Products Exercises And Review Tests View 9 Products Review View 3 Products Year In Review View 2 Products Reviewing The Situation (From 'Oliver!') View 2 Products The Reviewer View 2 Products The Review View 1 Product General Review View 1 Product Review Of Traditional Harmony View 1 Product In The Big Blue World (From 'Finding Nemo: The Musical Review') View 1 Product Reprise: Reviewing The Situation - Fagin View 1 Product Reviewing The Situation - Fagin View 1 Product Reviewing The Situation (Lionel Bart)_ View 1 Product

Faber Piano Adventures > Level 4 review of 16th-note rhythm patterns pattern and sequence Am, Dm, Em natural/harmonic scales all sharp key signatures 16th notes in 6/8 time more study of chord inversions V7 chord in root position 2-octave scales: C, G, D, A, E, B

Transient Glory | Hal Leonard Celebrating Over 10 Years of Transient Glory The Transient Glory choral series, developed by Francisco J. Núñez, artistic director and founder of the YOUNG PEOPLE'S CHORUS OF NEW YORK CITY™ and a 2011 MacArthur "Genius" Award recipient, features exciting new choral music by visionary 21st-century composers, resulting in over 60 premiers in a decade! We congratulate Mr. Núñez, and invite you to explore this series by clicking here to review scores and listen to audio samples. Mr. Núñez Biography

2024 Shawnee Press Choral Expressions Welcome to the 2024 Shawnee Press Choral Expressions. We are pleased to present our latest collection featuring 30 captivating pieces tailored for choirs of all levels. Edited and curated by Greg Gilpin, Shawnee Press offers unparalleled quality and versatility to enrich your choir's repertoire. You will find fresh arrangements and original compositions reflecting contemporary themes, vibrant pop numbers, and a diverse selection of winter and holiday melodies. Finally, don't forget to review all our Choral Resources for warming up the choir, practicing techniques, learning new styles, and more! Explore our new music below by selecting your preferred voicings and watching/listening to the YouTube score previews!

Crawford R. Thoburn | Hal Leonard Crawford R. Thoburn More than one hundred of Crawford R. Thoburn's choral compositions, arrangements, and editions have been published. Choirs across the U.S. and throughout the world sing his music, with performances noted in Nova Scotia, British Columbia, England, Germany, Austria, France, South Africa, Singapore, India, and Taiwan. Professional, church, and college groups record his works, which have been broadcast on National Public Radio and Public Radio International. At Wells College in Aurora NY, Crawford R. Thoburn is Professor of Music and Director of Choral Activities. His student choral groups have won international awards in juried competition, performed by invitation at ACDA conventions and MENC meetings, toured in the U.S. and Europe, performed with many other college groups, and sung with professional orchestras. He has conducted numerous inter-collegiate choral collaborations, and enjoys a national reputation for expertise in women's choral literature and performance. Professor Thoburn has a B.A. from Allegheny College, where he studied theory, arranging, and conducting with Morten J. Luvaas. In 1999, the Allegheny Alumni Association selected him to receive its prestigious Gold Citation, ""in recognition and appreciation of the honor reflected upon the college by virtue of his professional achievements."" At Boston University, Professor Thoburn received a M.M. and worked as an assistant to his instructor in voice and conducting, Allen C. Lannom. He later studied choral and orchestral conducting with Otto-Werner Mueller, Margaret Hillis, and Robert Shaw. While on a year-long sabbatical leave, he was a member of and soloist with the St. Martin Singers of London, England, under the direction of W. D. Kennedy-Bell. Crawford served on the first National Committee on Editorial Standards of the American Choral Directors Association. His scholarly articles have appeared in the American Choral Review, Wells College Express and the Choral Journal, where he headed the Choral Review Department for five years. At Wells, Professor Thoburn chaired the Music Department, the Division of the Arts, the Centennial Committee, the New Arts Facilities Committee, the Summer College Program, and the Faculty Advisory Committee, and he was named the first Campbell Professor of the Arts. Off campus, Crawford has served many years as a choral director for Methodist, Lutheran, Presbyterian, and Episcopalian congregations. He is profiled in the 59th edition of the original Marquis biographical directory Who's Who In America. Publications by Crawford R. Thoburn

Licensing FAQs | Hal Leonard Licensing FAQs Distance learning and virtual adjudication usages WHAT IS THE DIFFERENCE BETWEEN PERMISSION TO MAKE PHOTOCOPIES FOR CONTEST USE AND PERMISSION TO MAKE PERMANENT PHOTOCOPIES? We understand that a certain number of copies of a score or part may be needed for judges at a festival or contest in which you or your organization is participating. If a work is not available for purchase and you are in need of copies for the judges' reference only, then you should submit your request for permission to make photocopies for contest use. The number of copies you would need in such a case is generally quite small (usually six or less) and all copies are to be destroyed after contest use. If you are seeking permission to make legal photocopies for your organization's music library or if you are seeking permission to make a significant number of photocopies (6 or more) you should submit your request for permission to make permanent photocopies. WILL THERE BE A FEE? HOW MUCH WILL IT BE? There will likely be a fee associated with processing your permission request. We are not able to give estimates or ballpark figures on fees since there are a number of different variables we take into consideration when setting our fees. All fees will be quoted in writing, as it is our policy never to give verbal permission. DO YOU EVER GRANT GRATIS PERMISSION? We receive a number of requests from charitable or non-profit organizations. In an effort to be fair and equitable in our handling of all requests, it is our general policy not to grant gratis permission. WILL HAL LEONARD PUBLISH MY WORK? Hal Leonard does not accept or review unsolicited material for publication consideration. WHAT DOES IT MEAN IF A FEE IS QUOTED ON A "MOST FAVORED NATIONS BASIS"? If we quote a fee on a most favored nations basis, it means that we would be entitled to a higher fee than what we have quoted if you have agreed to pay another party a higher fee for a similar use. WHY MIGHT MY REQUEST BE DENIED? We take a number of factors into consideration when considering your request. Permission to use a copyrighted work is never guaranteed. Your request might be denied for the following reasons: If you wish to photocopy music still available for purchase. If you wish to create an arrangement similar to an arrangement we have available for purchase. If you wish to borrow specially licensed arrangements of songs from other schools, organizations or institutions. If the publishers or songwriters have objections for any reason or if we are unable to secure the necessary approvals before your deadline. WHO HANDLES PERMISSION REQUESTS FOR APPLAUSE THEATRE & CINEMA BOOKS? Licensing requests for Applause Theatre & Cinema Books are now handled by Rowman & Littlefield Publishing Group. Please direct your request to the following address for the appropriate permission: Rowman & Littlefield Publishing Group Attn: Patricia Zline 4501 Forbes Blvd., Suite 200 Lanham, MD 20706 Fax: (301) 429-5748 Email: pzline@rowman.com https://rowman.com/Page/RightsPermissions WHAT IF I WANT TO USE A G. SCHIRMER, INC. OR ASSOCIATED MUSIC PUBLISHERS SONG? Licensing requests for G. Schirmer and Associated Music Publishers are handled directly by Music Sales Corporation. All requests should be directed to the following address: G. Schirmer Inc./Associated Music Publishers c/o Music Sales Corporation 1247 6th Street Santa Monica, CA 90401 Tel: 310-393-9900 Fax: 310-393-9925 www.musicsales.com/licensing HOW DO I OBTAIN PERMISSION TO PERFORM COPYRIGHTED COMPOSITIONS? With respect to non-dramatic public performances of copyrighted compositions, it is the venue in which you perform, such as the concert hall or night club, which must secure the necessary performance licensing. Non-dramatic musical performing rights are licensed by the following societies, on behalf of the copyright owners: ASCAP (American Society Of Composers, Authors, and Publishers) https://www.ascap.com, BMI (Broadcast Music Inc.) https://www.bmi.com, SESAC Inc. https://www.sesac.com and GMR (Global Music Rights) https://www.globalmusicrights.com/. Section 110 of the U.S. Copyright Act does allow the non-dramatic performance of musical works by schools or churches during the course of worship services or school functions, provided there is no purpose of direct or indirect commercial advantage, no compensation is paid to the performers, promoters or organizers and no admission is charged for the performance. If admission is charged, all proceeds must be used only for educational or charitable purposes. The musical arrangements that Hal Leonard produces of songs that originated in film or Broadway shows may only be presented in a non-dramatic, concert setting and not in any way as dramatizations of the film or musical itself. If you desire to stage a performance of a dramatic nature (e.g., acting out a scene or scenes from a movie or musical) you must obtain the prior consent of the copyright owner. Any unauthorized dramatizations of a song will subject the user to penalties provided by copyright law. HOW CAN I TELL IF A WORK IS STILL PROTECTED BY COPYRIGHT? In the United States, works created after January 1, 1978 will be protected for the life of the last living composer (author) plus 70 years. Copyrights existing prior to that date will continue for 95 years from the date copyright was originally secured. HOW CAN I IDENTIFY THE COPYRIGHT OWNER? The copyright owner of a work can be determined by looking at the copyright notice which is generally found at the bottom of the first page of music. If you are unable to determine the copyright owner by looking at the music, please check the searchable databases of the performance rights societies (ASCAP https://www.ascap.com, BMI https://www.bmi.com, SESAC, Inc. https://www.sesac.com or GMR https://www.globalmusicrights.com/). WHAT IF I NEED ADDITIONAL INFORMATION ABOUT COPYRIGHT LAW? Following are some links with helpful information about copyright law: U.S. Copyright Office Home Page - https://www.copyright.gov National Music Publishers' Association - http://nmpa.org Music Publishers' Association of the United States - https://www.mpa.org ASCAP (The American Society of Composers, Authors and Publishers) - https://www.ascap.com BMI (Broadcast Music, Inc.) - https://www.bmi.com SESAC, Inc. - https://www.sesac.com GMR (Global Music Rights) https://www.globalmusicrights.com/ Christian Copyright Licensing, Inc. - https://www.ccli.com

Hal Leonard Announces New Hires

Hal Leonard has announced the expansion of their instrumental and choral teams with the additions of Joe Snyder and Zachary Moore.

Joe Snyder has been named Instrumental Editor. He will be involved with the development and marketing of new publications.

“We are excited to welcome Joe to the Hal Leonard family as Instrumental Editor,” said Michael Sweeney, Director of Band Publications. “He brings an extensive background as a music educator, professional musician, and composer/arranger. Additionally, with his experience in the publishing industry and retail, Joe is the perfect addition to our instrumental team.”

Joe graduated in 2000 from West Chester University of Pennsylvania with a B.S. in Music Education. After graduation, he served as a band director and general music teacher at the elementary, middle, and high school levels for 17 years in Pennsylvania and Florida. During his teaching years, he continued graduate studies in trombone performance and composition/arranging with Dr. Matt Niess, Denis DiBlasio, and Dr. Quincy Hilliard. Also an accomplished musician, Snyder has shared a stage with artists including Pete Townshend, Alex Brightman, Donnie Kehr, Titus Burgess, KT Tunstall, Melissa Etheridge, Joey Fatone, and Chris Kirkpatrick of NSYNC , among many others.

As a published composer, arranger, and orchestrator, Joe has written and orchestrated scholastic music as well as music for various touring shows and concerts. He has recently served as Publications Manager/Editor for Winger-Jones Publications and Instrumental Editor for J.W. Pepper & Son.

Joe resides in Lancaster, PA, with his wife, Janel, and their blended family of five children.

Zach Moore joins the Hal Leonard team as a choral editor, responsible for reviewing and editing music for publication.

“We’re pleased to welcome Zach to the Choral Department,” said Stacey Nordmeyer, Hal Leonard’s General Manager, Choral Publications. “He has established himself as an award-winning and sought-after composer in the choral world. This experience and his background in music education make him the perfect addition to our team.”

Zach is a composer, conductor, and speaker. He holds a bachelor’s degree in music education from the University of Wisconsin–Eau Claire and a master’s degree in composition from Stephen F. Austin State University, where he studied composition with Dr. Stephen Lias. Zach has received an increasing number of commissions worldwide and has served as composer in residence to the Master Singers of Eau Claire, WI. His works have been performed at TMEA, ACDA, Carnegie Hall, Taipei National Concert Hall, and many more. His first feature-length film score premiered at the Caesar Forum in Las Vegas in 2022. Zach lives in Oconomowoc, Wisconsin.

Honoring Rick Walters

Hal Leonard has announced the loss of their esteemed friend and colleague, Rick (Richard) Walters.

Walters, a key figure at Hal Leonard for 39 years, began his journey as a keyboard editor and ascended to the role of VP of Classical & Vocal Publications. In 2011, he pioneered the Hal Leonard Vocal Competition, the industry's first all-YouTube contest for vocal students. This groundbreaking initiative earned widespread respect and propelled numerous students into successful singing careers. Rick's dedication was evident as he personally reviewed tens of thousands of videos until the competition concluded with his retirement in 2023. Even after retiring, he continued to make a difference in the music community, particularly with the Milwaukee Youth Symphony Orchestra, where he served on the board and mentored budding composition students.

Hal Leonard Chairman Larry Morton stated, “Rick’s impact on the world of classical and vocal music publishing was immense. His unwavering passion and commitment to preserving and presenting repertoire for students and their teachers have left an indelible mark. No vocal competition or audition happens without singers using materials Rick helped create with our editorial teams. He closely worked with some of the greatest musical theater composers of all time, including his close, personal relationship with the late Broadway icon, Stephen Sondheim.”

Rick’s many iconic projects include the Singer’s Musical Theatre Anthology series, the Hal Leonard Vocal Library series, Schirmer Performance Editions series, a new edition of 28 Italian Songs & Arias of the 17^th & 18^th Centuries, and collections of music by Benjamin Britten, Samuel Barber, Stephen Sondheim, and even Mel Brooks.

A celebration of Rick's life will be held at the Milwaukee Youth Arts Center (325 W. Walnut St.) on June 1, 2024, at 2pm. If interested, donations in Rick's name can be made to the Milwaukee Youth Symphony Orchestra (MYSO) or the National Association of Teachers of Singing (NATS).

Robert Baksa | Hal Leonard Robert Baksa Robert Baksa was born in New York City in 1938 of Hungarian Parentage and is one of America's most prolific composers. He grew up in Tucson, Arizona and eventually earned a BA in Composition at the University of Arizona. He returned to live in New York City in the early 60s. He has written more than 500 pieces of music since his first efforts as a teenager. Since his earliest New York reviews critics have noted his melodic gifts, the structural clarity and harmonious nature of his music. His first pieces, short piano pieces written in the early 1950s which he later arranged for wind trio, are in fact still being performed around the world. His numerous choral pieces have been performed in many countries and his art songs have been featured in two recent studies on the subject of American Art Song. Performers who have been associated with his music include Harpsichordist Elaine Comparone who has commissioned a number of works, Saxophonist Paquito D'Rivera, Sharon Robinson, The Boehm Wind Quintet, the Virtuosi Wind Quintet, the Bronx Arts Ensemble, the Sylvan Winds and the St. Luke's Chamber Ensemble which began its existence with a full evening of Baksa's music. The composer makes his home in Columbia County in the Mid Hudson Valley where he serves as New Music Coordinator and Composer in Residence for the Pleshakov Music Center. Publications by Robert Baksa

Jay Bocook | Hal Leonard Jay Bocook Jay Bocook is internationally recognized as a composer, arranger, conductor, and educator. His works have been performed at the 1984 Olympic Games in Los Angeles, the 1996 Centennial Olympic Games in Atlanta, and the 2002 Winter Olympics in Salt Lake City. In 2003, Bocook was a contributing arranger to the musical CyberJam, which opened to rave reviews at London's Queen's Theatre. Currently he is working as the arranger for Blast! The Music of Disney, which will open in Tokyo, Japan in the summer of 2017. In 2003, the U.S. Marine Band premiered Jay's transcriptions of the film music of John Williams at the Kennedy Center in Washington, D.C. An encore performance with Williams and "The President's Own" took place in 2008. Jay's transcription of Leonard Bernstein's Symphonic Suite from "On the Waterfront" can be heard on the 2015 Marine Band CD Elements. In 1982, Bocook was appointed director of bands at Furman University in Greenville, South Carolina. In 1989, he left to pursue other opportunities as an arranger for Jenson Publications, but returned to Furman in 2000 as Director of Athletic Bands. He remains a principal composer and arranger for Hal Leonard, where he has published over 600 arrangements and original compositions. Bocook served as arranger for the ten-time world champion Cadets Drum and Bugle Corps from 1993-2016, and currently serves in the same capacity for the Blue Knights Drum and Bugle Corps of Denver, CO. In 2009, he was inducted into the Drum Corps International Hall of Fame, and in 2011 he was elected into the American Bandmasters Association. Publications by Jay Bocook

Mark Brymer | Hal Leonard Mark Brymer For more than 20 years, Mark Brymer has been a leading choral writer/arranger for the educational and church choral music markets. With literally hundreds of original choral works, musical reviews, medleys, and copyrighted arrangements in print, Mark sells over 600,000 copies of music annually through Hal Leonard Corporation. Additional educational publication credits include being a Senior Music Producer and Arranger for over 400 recordings for the K-6 McGraw-Hill Music Textbook Series and the songwriter and co-creator of the 50-book series “Sing & Read Math” (Pre-K), for Frog Street Press. Commercially, Mark heads a full service music production and live theatrical show production company, WOW! ENTERTAINMENT, INC. whose clients include, Six Flags Theme Parks (7 different parks), Corporate Magic, New Orleans' Jazzland Theme Park, Mary Kay Cosmetics, Carnival Cruise Lines and the Pirates Voyage and the Dixie Stampede Dinner/Arena Attractions (3 locations). Some of Mark's commercial music production credits include, co-writing and producing the opening and end title song, "Digga Digga Dog" for Disney's feature film, "102 Dalmatians" starring Glenn Close. This song is also featured on the movie soundtrack. Mark also produced and arranged three top selling children's records, "Have Yourself A Looney Tunes Christmas," "Frosty The Snowman," and "Looney Tunes Kwazy Christmas" for RHINO Records. In 1997 the Gospel Music Association honored Mark with a nomination for a DOVE Award for musical of the year, "Majesty of Christmas." Mark's academic background includes Millikin University, University of North Texas and UCLA-Los Angeles. Based in Dallas, Texas, Mark is active in his church, loves spending time with his family and friends, living healthy, exercising and walking his dog, Sophie. Follow him on Facebook or Twitter. Publications by Mark Brymer