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2018 Hal Leonard Middle School Choral Spectrum > Boosey & Hawkes

2018 Hal Leonard Choral Artistry > Boosey & Hawkes

2020 Hal Leonard Choral Spectrum > Boosey & Hawkes

2021 Voices of Distinction > Boosey & Hawkes

New Music for Concert Band from Hal Leonard > Boosey & Hawkes

2018 Hal Leonard Concert Band > Boosey & Hawkes - Easy Concert Band

Boosey & Hawkes Anthology These collections feature works by the most prominent Boosey & Hawkes composers, including Bernstein, Britten, Carter, Copland, Ginastera, Kats-Chernin, Lees, Stravinsky, Thomson, and others. Ideal for advanced high school and college players.

College Music Society Special Offer! An array of new Boosey & Hawkes, Hal Leonard, Henle, Schirmer, and Schott editions are now available including works by Gjeilo, Glass, Ives, Kapustin, Shostakovich, and many more! Take 25% off your purchase of these titles plus free shipping to continental U.S. addresses with ad code CMS22 at checkout.

2018-2019 Classical Piano Recent Releases and Highlights We invite you to explore recent classical piano releases and highlights from Hal Leonard, G. Schirmer, Boosey & Hawkes, Schott, PWM, Chester/Novello and more. Browse the catalog by clicking on any of the categories at the right or click on the PDF on the left to download and print the catalog. ONLINE CLASSICAL PIANO RESOURCES Classical Catalog Keyboard Section Schirmer's Library of Musical Classics Complete Catalog Schirmer Performance Editions Henle Piano Highlights Complete Henle Catalog

2019-2020 Classical Piano Recent Releases & Highlights We invite you to explore recent classical piano releases and highlights from Hal Leonard, G. Schirmer, Boosey & Hawkes, Schott, PWM, Chester/Novello and more. Browse the catalog by clicking on any of the categories at the right or click on the PDF on the left to download and print the catalog. ONLINE CLASSICAL PIANO RESOURCES Classical Catalog Keyboard Section Schirmer's Library of Musical Classics Complete Catalog Schirmer Performance Editions Henle Piano Highlights Complete Henle Catalog

2018 Hal Leonard Choral Artistry Welcome to the 2018 Hal Leonard Choral Artistry. We invite you to enjoy exploring a wide selection of new choral releases from G. Schirmer, Boosey & Hawkes, De Haske, Mark Foster Music, Pavane Publishing, Fred Bock Music Company, Hinshaw Music, and a wealth of music education resources and vocal publications. Click to go to YouTube playlists that will show you the actual scores while playing the full recording of each title. For your convenience, you can also click on the DOWNLOAD ALL EXCERPTS link (below the Open Playlist icon). You can access the downloaded tracks with any mp3 player, such as an iPod. We wish you all the best as you select music for your ensembles. We invite you to contact us by email at choral@halleonard.com with your questions and comments.

2018-2019 Vocal Music Recent Releases and Highlights We invite you to explore recent vocal music releases and highlights from Hal Leonard, G. Schirmer, Boosey & Hawkes, Ricordi, Music Sales and more. Click on these icons to hear audio excerpts and view sample music pages. Browse the catalog by clicking on any of the categories at the right or click on the PDF on the left to download and print the catalog. ONLINE VOCAL RESOURCES Teacher Resources Online Complete Vocal section of Classical Catalog Complete Opera section of Classical Catalog Broadway Vocal Selections Musical Theatre Collections Popular Rock & Jazz Vocal Instruction publications 2019 HAL LEONARD VOCAL COMPETITION Exciting and innovative music competition for voice students comprised entirely of YouTube video entries. For singers of various ages, children through college, held entirely on the Internet. Free to enter! View 2019 Hal Leonard Vocal Competition Rules & Guidelines and video entries of past prize winners.

2019-2020 Vocal Music Recent Releases and Highlights We invite you to explore recent vocal music releases and highlights from Hal Leonard, G. Schirmer, Boosey & Hawkes, Ricordi, Music Sales and more. Click on these icons to hear audio excerpts and view sample music pages. Browse the catalog by clicking on any of the categories at the right or click on the PDF on the left to download and print the catalog. ONLINE VOCAL RESOURCES Teacher Resources Online Complete Vocal section of Classical Catalog Complete Opera section of Classical Catalog 2020 HAL LEONARD VOCAL COMPETITION Exciting and innovative music competition for voice students comprised entirely of YouTube video entries. For singers of various ages, children through college, held entirely on the Internet. Free to enter! View 2020 Hal Leonard Vocal Competition Rules & Guidelines and video entries of past prize winners.

Richard Peaslee | Hal Leonard Richard Peaslee Richard Peaslee was born in New York City and received his undergraduate degree in Music Composition from Yale University, graduating Phi Beta Kappa. After serving two years in the U.S. Army, he received both a diploma and a Master of Science degree from The Juilliard School, in addition to studying privately with Nadia Boulanger in Paris and William Russo in New York and London. Peaslee has served on the faculty of the Lincoln Center Institute and New York University’s Music Theatre Program and is a former board member of The American Composers Orchestra and Jobs For Youth. He serves on the board of American Opera Projects and SCAN New York. A retrospective on his career was presented by Lincoln Center’s Composers’ Showcase at Alice Tully Hall. His concert works have been widely performed by orchestras, chamber ensembles, and soloists, most notably the Philadelphia, Detroit, Milwaukee, Indianapolis, and Buffalo Symphony Orchestras. His concerto for trombone, Arrows of Time, was premiered by the Seattle Symphony. Awards include The American Academy of Arts and Letters Marc Blitzstein Award; Obie and Villager Awards; as well as NEA and NYFA Fellowships. Richard Peaslee's music is published by Margun Music, a division of G. Schirmer, Inc. Boosey and Hawkes, E.C. Schirmer, Inc. and had been recorded on EMI, Columbia, Elektra, Musical Heritage Society and other labels. Publications by Richard Peaslee

Francisco Nunez | Hal Leonard Francisco Nunez Francisco J. Núñez, a recipient of a 2011 MacArthur Fellowship presented to individuals for their “exceptional originality in & dedication to their creative pursuits,” is the artistic director of the Young People’s Chorus of New York City™, a composer, conductor, visionary, & leading figure in music education. In 1988 he founded YPC to provide children of all ethnic, religious, & economic backgrounds with a safe haven for personal and artistic growth & to date has changed the lives of thousands of young people. YPC is widely recognized for its exceptional caliber and has been cited as a model of artistic excellence and diversity by the President’s Committee on the Arts & the Humanities under the Clinton, Bush, and Obama administrations. Visit www.ypc.org Mr. Núñez also leads University Glee Club of New York City and was the director of choral activities at NYU from 2003 to 2010. As a composer, Mr. Núñez won early acclaim for seamlessly fusing a wide gamut of cultures and musical idioms, writing his first choral work, Misa Pequeña, at age 15. Today, he composes countless compositions & arrangements in all musical formats and styles, which are published by Boosey & Hawkes. With the creation of his Transient Glory® commissioning series of concerts, recordings, symposia, and publications, Mr. Núñez has greatly expanded the repertoire of choral music for young people with more than 60 works by today’s most distinguished composers. In association with Chester Novello and G Schirmer, the Transient Glory® compositions are being published by Boosey & Hawkes, where Mr. Núñez is an editor, so that other choruses worldwide can have access to this challenging music. He recently extended Transient Glory® to Radio Radiance™, a radio, digital media and internet program, presented in partnership with WNYC New York Public Radio and American Public Media, to develop new audiences for cutting-edge choral music. Francisco Núñez grew up in close-knit Dominican family in New York City’s Washington Heights. After he graduated from NYU as a piano performance major, he formed the Young People’s Chorus of New York City™, bringing children from underserved neighborhoods together with children from more privileged circumstances. With music as the equalizer, the diversity in the group resulted in new vocal colors and a confident urban style, creating not only a vibrant new choral sound, but also an avenue for children to succeed. As an authority on the subject, he is often invited to give keynote addresses at choral symposia & conferences across the country. Mr. Núñez is the recipient of numerous awards, including an ASCAP Concert Music Award, a New York Choral Society’s Choral Excellence Award, & a Liberty Award from the New York Post. Hispanic Business magazine named him one of the 100 Most Influential Hispanics of 2005; GMC’s national campaign hailed him as an unsung Hispanic hero; and La Sociedad Coral Latinoamericana honored him as its 2009 Man of the Year. Mr. Núñez makes his home in New York with his wife Elizabeth Núñez, a YPC conductor; their son Sebastián; and two Italian greyhounds Coda and Dixie. For more information, visit franciscojnunez.com and www.macfound.org.

Publisher List | Hal Leonard Publisher List As the world's largest print music publisher, Hal Leonard proudly represents many of the world's greatest publishers and catalogs of music, artists, and composers. For your convenience, we have listed here some of the catalogs and publishers we exclusively distribute to the music trade: Arrangers Publishing Ashley Music Berklee Press Leonard Bernstein Music Publishing Fred Bock Music Boosey & Hawkes Boston Music Centerstream Publications Le Chant du Monde Cherry Lane Music Chester Music Choudens Curnow Music De Haske Publications Dots & Lines DSCH Editions Durand Editions Max Eschig EMB Faber Piano Adventures Fleamarket Music Mark Foster Music Gentry Publications Guitar World G. Henle Verlag Hinshaw Music Homespun Hot Licks Hudson Music Lauren Keiser Music Robert King LeDuc Edward B. Marks Music Modern Drummer Publications Music Minus One Musicians Institute Press Novello Pavane Publishing Peermusic Classical PWM The Richmond Organization Ricordi Lee Roberts Publications Rock House Rubank Publications Editions Salabert Schaum Publications G. Schirmer, Inc. (Associated Music) Schott Music Second Floor Music Shawnee Press Sikorski Southern Music String Letter Publishing Tara Publications Unión Musical Ediciones Vintage Guitar Waltons Irish Music Wilhelm Hansen Willis Music Sylvia Woods

Kathryn Salfelder | Hal Leonard Kathryn Salfelder Kathryn Salfelder began studying music and composition at the age of six at the Bergen Yamaha Music School in New Jersey. She earned her DMA in composition at the New England Conservatory, her M.M. in composition from the Yale School of Music and a B.M. in composition with academic honors from New England Conservatory. Her primary teachers include Michael Gandolfi, Aaron Jay Kernis, and David Lang. She is the recipient of NEC’s 2009 Donald Martino Award for Excellence in Composition, 2009 George Chadwick Medal, and 2012 Tourjee Alumni Scholarship, as well as the ASCAP/CBDNA Frederick Fennell Prize, ASCAP Morton Gould Young Composer Award, Ithaca College Walter Beeler Memorial Composition Prize, and the United States Air Force Gabriel Award. Dr. Salfelder’s music has been performed by the Minnesota Orchestra, Albany (NY) Symphony, Yale Philharmonia, New England Philharmonic, Boston Musica Viva, United States Air Force Band – Washington D. C., and the Dallas Wind Symphony, and has been featured in over 300 concerts at the nation’s leading universities and conservatories. Commissions have included new works for the American Bandmasters Association, New England Conservatory Wind Ensemble, Western Michigan University Wind Symphony, MIT Wind Ensemble, Japan Wind Ensemble Conductors Conference (JWECC), and the Frank Battisti 85th Birthday Project. Two wind band works, Cathedrals and Crossing Parallels, are published by Boosey & Hawkes. Dr. Saldelder resides in Cambridge, Mass. and teaches at the Massachusetts Institute of Technology, where she serves as lecturer in music theory. Publications by Kathryn Salfelder

Timothy Broege | Hal Leonard Timothy Broege Born November 6, 1947 and raised in Belmar, New Jersey, composer Timothy Broege studied piano and theory with Helen Antonides during his childhood years. At Northwestern University, he studied composition with M. William Karlins, Alan Stout and Anthony Donato, piano with Frances Larimer, and harpsichord with Dorothy Lane, receiving a Bachelor of Music with Highest Honors degree in 1969. From 1969 to 1971, he taught in the Chicago Public School system, after which he served as an elementary school music teacher in Manasquan, New Jersey until 1980. He currently holds the positions of Organist and Director of Music at First Presbyterian Church in Belmar, a position he has held since 1972, and Organist and Director of Music at the historic Elberon Memorial Church in Elberon, New Jersey. The music of Timothy Broege has been performed throughout the world by, among others, the Monmouth Symphony Orchestra, the U.S. Military Academy Band, the Atlantic String Quartet, the Cygnus Ensemble, pianist Robert Pollock, and recorder player Jody Miller. He has received numerous grants and commissions, and his music is published by Boosey & Hawkes, Manhattan Beach Music, Hal Leonard Corporation, Bourne Company, Daehn Publications, Dorn Publications, Polyphonic Publications, Grand Mesa Music, and Allaire Music Publications. Recordings issued on CD include his Sinfonias V and XVI on Mark Records and his Concerto for Marimba on Klavier. A disc of his harpsichord music was released by Northwestern University in the Music from Northwestern series in 1999. Recent CD releases include Runes and Mets Rule, on Trope Note/Cambria, and No Sun, No Shadow on Albany. His works include the 21 Sinfonias for large ensembles, the series of Songs Without Words for small ensembles, a series of Fantasias for solo instruments, as well as music for voices, keyboards, guitar, recorders and school bands. His music has been featured at the Boston Early Music Festival, the Midwest Band & Orchestra Clinic, and the College Band Directors National Association. He has appeared frequently as a guest composer/conductor and clinician, and has received the Edwin Franko Goldman Award from the American School Band Directors Association. He is a past-president of the Composers Guild of New Jersey, Inc., a member of Early Music America and the Organ Historical Society, and an affiliate of Broadcast Music, Inc. (BMI). In addition to his compositional activities, Timothy Broege is an active recitalist on early keyboard instruments and recorder appearing both as a soloist and in duo recitals with guitarist and lutenist Francis Perry. He resides in Bradley Beach, New Jersey. Publications by Timothy Broege

Doreen Rao | Hal Leonard Doreen Rao Doreen Rao's distinguished career as conductor and master teacher links the standards of professional performance with the goals of music education. Celebrated for her spirited and moving concerts, Rao's commitment to choral music education is recognized in her innovative programming, teaching initiatives, worldwide conducting appearances and her award winning publications with Boosey & Hawkes. Doreen Rao holds the University of Toronto Elmer Iseler Chair in Conducting. As the Director of Choral Programs, Dr. Rao founded the Faculty of Music's Centre for Advanced Studies in Choral Music which supports and enriches the Faculty's ensemble and conducting programs, hosts the Elmer Iseler Singers and sponsors the International Bach Festival with Helmuth Rilling. Rao conducts the award-winning University of Toronto MacMillan Singers and Chamber Choirs. Her young ensembles collaborate regularly with the Toronto Symphony Orchestra and a roster of internationally celebrated artists and educators. She leads the University's graduate program in conducting performance and teaches graduate research and philosophy courses related to music performance in education. Recognized as one of the world's leading experts on children and youth choirs, Doreen Rao founded and chaired the ACDA National Committee for Children's Choirs, pioneering work that inspired the children's choir movement in America. In a national tribute presented to her by the American Choral Director's Association, eminent American conductor Robert Shaw wrote, "The world of choral music owes her special thanks. She is preparing our future." During Rao's long association with the Chicago Symphony Chorus, she served as assistant conductor to her mentor Margaret Hillis and prepared choruses for concerts and Grammy Award-winning recordings with Sir Georg Solti, Claudio Abbado, and James Levine. Her choirs also performed on numerous occasions with Leonard Slatkin and the St. Louis Symphony Orchestra, and with Helmuth Rilling at the Oregon Bach Festival. The Phi Mu Alpha Sinfonia awarded her with their National Citation for her significant and lasting contribution to the cause of American music. She has been honored by the American Choral Director's Association for her commitment to choral excellence. A CBS television documentary called her musical achievements "extraordinary." Following her undergraduate education at the University of Illinois, Rao spent the first years of her career in Chicago singing professionally and teaching choral music in the schools. She served as Music Director and Conductor of the Glen Ellyn Children's Chorus, an ensemble that performed and recorded regularly with the Chicago Symphony Orchestra and Chorus. Following graduate studies at Northwestern University, she joined the Voice Faculty at Roosevelt University's Chicago Musical College where she performed and taught voice and choral music before accepting an invitation to conduct the Northwestern University Chorus and complete her doctoral studies in philosophy and aesthetics. Rao's innovative Sing with the Symphony school and family concerts were first introduced by the Toronto Symphony Orchestra to actively involve audiences in listening as performers. In a pioneering career of "firsts," Rao conducts honor choirs, all-state choirs and festival choirs for numerous national and international conferences, associations and performance organizations around the world. Most recently she enjoyed conducting the inspired young Texas All-State Chorus with Orchestra for the Texas Music Educators Association. Doreen Rao is the Founding Director of the CME Institute for Choral Teacher Education, an internationally acclaimed professional development program for conductors, composers, choirs and teachers. She is the Artistic Director and Conductor of the New Millennium Festival Concerts, an innovative peacemaking initiative with concert series in New York, Toronto and London. Publications by Doreen Rao

About Us | Hal Leonard Hal Leonard Corporate History In the late 1930s in Winona, Minnesota, the late Harold "Hal" Edstrom, his brother Everett "Leonard" Edstrom and their friend Roger Busdicker had formed a very popular dance band. Concerned that their conservative father wouldn't approve of using the family name for a band, Harold and Ev took parts of their names and called the band Hal Leonard. As leader of the Hal Leonard Band, Ev eventually became known as "Hal Leonard." The company Hal Leonard was founded in 1947, after the Hal Leonard Band broke up. At the time, Ev started a music store using the Hal Leonard name while Roger and Harold were both directing award-winning high school bands in Winona. In those days, most school bands played serious classical literature, but Harold and Roger had the unique ability because of their professional experience to arrange popular music for school bands. Soon band directors across the US wanted their arrangements. They started to mimeograph copies and sell them. They realized that to successfully (and legally!) launch a new publishing company, they needed to license songs, so they ventured to New York's Tin Pan Alley in search of copyrights. What they got on their trip was an education in publishing and the rights to "I Wonder Who's Kissing Her Now," one of the most popular songs of the day. Eventually, many music publishers in New York were licensing Hal Leonard to do school band arrangements of their songs. Thus began their publishing business and an entirely new industry. Hal Leonard continued to grow and expand into other areas, including instructional materials and repertoire for every instrument, voice, and ensemble. In 1970, Keith Mardak and associates started a new division of Hal Leonard called Learning Unlimited to create the first book/audio music instructional products. This division soon outgrew the company, and Mardak was named general manager for all of Hal Leonard. In 1985, an internal management team led by Mardak purchased Hal Leonard from its original founders. A new corporate headquarters was opened in Milwaukee, WI, in addition to expanding the Winona facilities to handle the company's dramatic growth. Under Mardak's leadership, Hal Leonard dramatically increased its publishing output and pursued a series of acquisitions, leading to an unprecedented period of expansion for the company. Today, Hal Leonard is the world's largest print music publisher, with the #1 methods for learning guitar, piano, band, orchestra, plus publications for learning virtually every instrument imaginable. In addition, they distribute other esteemed publishers including Berklee Press, Boosey & Hawkes, DeHaske Publications, Faber Piano Adventures, G. Henle Verlag, Robert King, Peermusic Classical, G. Schirmer, Schott, Willis, and many more. See all of our publishing partners here. In addition to still being the leader in printed music publications, Hal Leonard has also led the way in digital music technology. Hal Leonard developed SheetMusicDirect.com in 1997 (four years BEFORE iTunes!) with thousands of songs arranged for different instruments available for download. GuitarInstructor.com followed, featuring online video guitar lessons and tab arrangements for thousands of songs. In addition, the company expanded by purchasing Noteflight.com, a music composition website, and Groove3, a website providing online training for music technology. In addition, Essential Elements Interactive was added to the Essential Elements Band and Strings methods which added a valuable online component to benefit both instructors and students. Over a half million students access EEi during the school year. Hal Leonard continued the tradition of innovation in print music with the development of MyLibrary, a cloud-based portal for their books with online content. Customers who purchase books with online audio, access the content online using the unique code inside each book. Audio can be streamed or downloaded and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. In 2020, Hal Leonard launched their own proprietary streaming e-book format: Hal Leonard Digital Books. These interactive, cloud-based publications were designed especially for musicians and include access to embedded video or audio on many titles. Hal Leonard launched Essential Elements Music Class in 2019 to provide a cloud-based, online resource for general music education complete with songs, lesson resources, ukulele and recorder lesson plans, and many more resources for the music educator. In its catalog of more than one million available titles, Hal Leonard represents many of the world's best known and most respected publishers, artists, songwriters, arrangers and musical instrument manufacturers. Its products are sold in more than 65 countries throughout the world through Hal Leonard offices and a large network of distributors. Hal Leonard operates out of two main facilities - its corporate headquarters in Milwaukee, Wisconsin and a state-of-the-art administration, production and distribution facility in Winona, Minnesota. The company also has domestic offices in Boston, Austin, and San Francisco, and offices abroad in Australia, Belgium, China, Germany, the Netherlands, India, Italy, France, and the United Kingdom in London and Bury St. Edmunds. CEO Larry Morton, and the more than 800 talented Hal Leonard employees around the world, remain dedicated to providing the very best in music products and services to bring the joy of making music to everyone!

Kim André Arnesen Arnesen's music is lovely and worth hearing… Sacred and secular, there is much to admire.– American Record Guide Kim André Arnesen Born in 1980, Kim André Arnesen is one of the most frequently performed composers from Norway today. He grew up in Trondheim where he was a chorister in the Nidaros Cathedral Boys’ Choir, later being educated at the Music Conservatory in Trondheim. With an interest in baroque music, contemporary classical music, and popular music, Kim could have taken many roads, but choral music became his greatest passion. As a composer, he had his first performance at the age of 18 with the boys’ choir. Since then he has written music that has been performed and recorded by choirs all over the world. In 2015–16, Kim was Composer-in-residence for the Denver-based choral ensemble Kantorei and Artistic Director Joel Rinsema. The residency concluded with the recording of Kim’s second CD album released in early 2018 on Naxos Records. He continues to enjoy a busy international schedule of commissions. Kim André Arnesen Born in 1980, Kim André Arnesen is one of the most frequently performed composers from Norway today. He grew up in Trondheim where he was a chorister in the Nidaros Cathedral Boys’ Choir, later being educated at the Music Conservatory in Trondheim. With an interest in baroque music, contemporary classical music, and popular music, Kim could have taken many roads, but choral music became his greatest passion. As a composer, he had his first performance at the age of 18 with the boys’ choir. Since then he has written music that has been performed and recorded by choirs all over the world. In 2015–16, Kim was Composer-in-residence for the Denver-based choral ensemble Kantorei and Artistic Director Joel Rinsema. The residency concluded with the recording of Kim’s second CD album released in early 2018 on Naxos Records. He continues to enjoy a busy international schedule of commissions. I denna ljuva sommartid (In this sweet summertime) SSAA (with divisi) a cappella Duration: c5 minutes 48024604 $2.50 More Info Commissioned by Kvindelige Studenters Sangforening, Oslo, Norway, and Marit Tøndel Bodsberg Weyde, conductor Commissioned by Kvindelige Studenters Sangforening, Oslo, Norway, and Marit Tøndel Bodsberg Weyde, conductor I denna ljuva sommartid (In this sweet summertime) is a well-known traditional summer psalm in Sweden. The text is of German origin, written in 1653 by Paul Gerhardt (1607-76) with the title Geh aus, mein Herz, und suche Freud and also called Sommerlied. The Swedish version is sung with different melodies, including one that is part of the Swedish Hymnal Songbook and sung in schools before the summer holidays. In this arrangement, I’ve used a traditional melody from Malung in Sweden and three of the eight verses of the psalm, which describe summer as a gift from God. As a composer, arranging songs that can be regarded as a national treasure in another country is something that is done with great respect. But also, working with another country’s traditional music, music that is not in one’s own blood, can hopefully result in a fresh and new take on the original. Arranger's note Arranger's note I denna ljuva sommartid (In this sweet summertime) is a well-known traditional summer psalm in Sweden. The text is of German origin, written in 1653 by Paul Gerhardt (1607-76) with the title Geh aus, mein Herz, und suche Freud and also called Sommerlied. The Swedish version is sung with different melodies, including one that is part of the Swedish Hymnal Songbook and sung in schools before the summer holidays. In this arrangement, I’ve used a traditional melody from Malung in Sweden and three of the eight verses of the psalm, which describe summer as a gift from God. As a composer, arranging songs that can be regarded as a national treasure in another country is something that is done with great respect. But also, working with another country’s traditional music, music that is not in one’s own blood, can hopefully result in a fresh and new take on the original. Falling into Mercy SATB (with divisi) & optional piano (maximum divisi SSAATTBB) Text by Euan Tait Duration: 4 minutes 48024608 $2.50 More Info Commissioned by the Stangeland Family Youth Choral Academy of the Oregon Bach Festival, in honor of the Academy’s 20th Anniversary; and St. Olaf College and Anton Armstrong, Professor of Music and Conductor of the St. Olaf Choir Commissioned by the Stangeland Family Youth Choral Academy of the Oregon Bach Festival, in honor of the Academy’s 20th Anniversary; and St. Olaf College and Anton Armstrong, Professor of Music and Conductor of the St. Olaf Choir This work comes from amazement – that the encounter with divine love, our relationship with the sacred, is to be constantly astonished by the endlessness of the depths of love. Love's persistence, again and again, whatever our failures to be people of love, is our reassurance of our precious and limitless value in the eyes of our Creator. And this mercy, this depthless mercy, frees us to become ourselves most fully, uncertain, but tenacious pilgrims. The music should be driven forward with particular attention to phrases and the detailed dynamics. For a piece like this, the various possible dynamic choices are endless and, as long as they substantiate the text and the performance remains fervent, the dynamics may be altered at the discretion of the conductor. As a composer, I always try to give each work its own identity, and this piece is characterized by first inversion chords. It is fascinating how nothing is really changed, and yet everything has changed. If one tries to move the bass to the root note it is a completely different work; the first inversion chords give a feeling of something endless, and from a musical image echoing the text, “to keep falling, endlessly.” Notes from the Poet and Composer Notes from the Poet and Composer This work comes from amazement – that the encounter with divine love, our relationship with the sacred, is to be constantly astonished by the endlessness of the depths of love. Love's persistence, again and again, whatever our failures to be people of love, is our reassurance of our precious and limitless value in the eyes of our Creator. And this mercy, this depthless mercy, frees us to become ourselves most fully, uncertain, but tenacious pilgrims. The music should be driven forward with particular attention to phrases and the detailed dynamics. For a piece like this, the various possible dynamic choices are endless and, as long as they substantiate the text and the performance remains fervent, the dynamics may be altered at the discretion of the conductor. As a composer, I always try to give each work its own identity, and this piece is characterized by first inversion chords. It is fascinating how nothing is really changed, and yet everything has changed. If one tries to move the bass to the root note it is a completely different work; the first inversion chords give a feeling of something endless, and from a musical image echoing the text, “to keep falling, endlessly.” The Gift to Sing SATB (with divisi) & piano (maximum divisi SSAATBB) Text by James Weldon Johnson Duration: 4:30 48024607 $2.50 More Info Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers If there is one thing anyone who has sung in a choir (or other context) knows, it is how singing can “turn the gloom to a cheerful day,” as James Weldon Johnson writes in his poem. We know it from our own experience, but it is even scientifically proven. There are many reasons to sing, and one of them is to bring light into our surroundings powered by our very own voices. And if someone does not think of themselves as a singer, I feel quite confident that Johnson’s poem will make them want to sing at the top of their voice! Composer’s note Composer’s note If there is one thing anyone who has sung in a choir (or other context) knows, it is how singing can “turn the gloom to a cheerful day,” as James Weldon Johnson writes in his poem. We know it from our own experience, but it is even scientifically proven. There are many reasons to sing, and one of them is to bring light into our surroundings powered by our very own voices. And if someone does not think of themselves as a singer, I feel quite confident that Johnson’s poem will make them want to sing at the top of their voice! The Holy Spirit Mass Mixed Voices with Organ or Strings and Piano Vocal Score 48024610 $19.95 Release date in the US: May 2019 Composed to commemorate the 500th anniversary of the Reformation, The Holy Spirit Mass interweaves the familiar Mass texts with English translations of the 9th-century Veni Creator Spiritus (‘Come Creator Spirit’) and Martin Luther’s hymn Come Holy Ghost, God and Lord. This major new choral work encourages unity and reconciliation in the world and celebrates hope for its future. Arnesen’s characteristic rich harmonies and memorable melodic lines combine to create an inspirational and uplifting work suitable for concert performance. This vocal score, which includes accompaniment for organ, can also be used for performing the versions of The Holy Spirit Mass with orchestral accompaniment available on rental from Boosey & Hawkes. Composed to commemorate the 500th anniversary of the Reformation, The Holy Spirit Mass interweaves the familiar Mass texts with English translations of the 9th-century Veni Creator Spiritus (‘Come Creator Spirit’) and Martin Luther’s hymn Come Holy Ghost, God and Lord. This major new choral work encourages unity and reconciliation in the world and celebrates hope for its future. Arnesen’s characteristic rich harmonies and memorable melodic lines combine to create an inspirational and uplifting work suitable for concert performance. This vocal score, which includes accompaniment for organ, can also be used for performing the versions of The Holy Spirit Mass with orchestral accompaniment available on rental from Boosey & Hawkes. I will light candles this Christmas SATB (with divisi) & piano (maximum divisi SSAATTBB) Text by Howard Thurman Duration: c4 minutes 48024571 $2.95 More Info Commissioned by Celia Ellington through LutheranArts in honor of Gary Aamodt’s 80th birthday, and dedicated to the annual St. Olaf Christmas Festival. Commissioned by Celia Ellington through LutheranArts in honor of Gary Aamodt’s 80th birthday, and dedicated to the annual St. Olaf Christmas Festival. Advent and Christmas are times of excitement and celebration. However, it is difficult not to see the darkness of the world. Where the treetops glisten and behind the toys and goodies it can be cold and unsafe. And it is in darkness that we need light. The candle can light our hope and remind us that we are much more than what is darkest in our lives. Therefore this time of the year can be one of light over darkness. I hope the message in this carol can guide us to become carriers of a light that brings joy, hope, courage, peace, grace, and love, now and when the star dims. “Let your light shine before others.” (The Sermon on the Mount) Composer’s note Composer’s note Advent and Christmas are times of excitement and celebration. However, it is difficult not to see the darkness of the world. Where the treetops glisten and behind the toys and goodies it can be cold and unsafe. And it is in darkness that we need light. The candle can light our hope and remind us that we are much more than what is darkest in our lives. Therefore this time of the year can be one of light over darkness. I hope the message in this carol can guide us to become carriers of a light that brings joy, hope, courage, peace, grace, and love, now and when the star dims. “Let your light shine before others.” (The Sermon on the Mount) My flame the song SATB (with divisi) & piano (maximum divisi SSATBB) Text by Euan Tait Duration: 5 minutes 48024605 $2.95 More Info Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers We share a fierce, impassioned singing of the life of love. We sing in the lives we lead, by the way we respond to the cry in the human heart. Our lives unfold the powerful potential of love that lives in each one of us, as friends, parents, siblings, partners, colleagues. In making music, singing together lights an extraordinary process in us: we connect from the depths of our beings with each other, with this shared spiritual flame within us, we connect to those we have lost, to those who have sung the same music, we connect to the eternal singing of that vast eternal chord of being human. In performing this work, you will pass on the flame to others. You become its music, its words: your spirit cries out, here. Composer’s note Composer’s note We share a fierce, impassioned singing of the life of love. We sing in the lives we lead, by the way we respond to the cry in the human heart. Our lives unfold the powerful potential of love that lives in each one of us, as friends, parents, siblings, partners, colleagues. In making music, singing together lights an extraordinary process in us: we connect from the depths of our beings with each other, with this shared spiritual flame within us, we connect to those we have lost, to those who have sung the same music, we connect to the eternal singing of that vast eternal chord of being human. In performing this work, you will pass on the flame to others. You become its music, its words: your spirit cries out, here. Ubi caritas et amor Duration: 4 minutes Release date in the US: March 2019 SATB (divisi) a cappella (maximum divisi SSAATTBB) 48024606 $2.50 More Info SSAA a cappella 48024609 $2.50 More Info Commissioned by the Athens Master Chorale, Athens, Georgia, for Joseph S. Napoli, founder and conductor, in honor of his 50 years of loving devotion to the art of choral music. Commissioned by the Athens Master Chorale, Athens, Georgia, for Joseph S. Napoli, founder and conductor, in honor of his 50 years of loving devotion to the art of choral music. The actual origin of the text Ubi caritas et amor is unknown, but it has been dated to some point between 300 and 1100 AD. The text is typically sung during the Washing of the Feet at the Mass of the Last Supper on Maundy Thursday (Holy Thursday). The word “caritas” has many shades of meaning, and there are some nuances that seem to be lost in its translation. While the word “charity” is mostly used about voluntarily giving, the word “caritas” also means honesty, heartfeltness, dearness and tolerance. In a world with a lot of tension and disunity I wanted to write a piece that sings about the commandments to love one another. As ever, choirs performing this work should aim for a good balance between the voice parts, and the music should always be flowing but never hurried. Composer’s note Composer’s note The actual origin of the text Ubi caritas et amor is unknown, but it has been dated to some point between 300 and 1100 AD. The text is typically sung during the Washing of the Feet at the Mass of the Last Supper on Maundy Thursday (Holy Thursday). The word “caritas” has many shades of meaning, and there are some nuances that seem to be lost in its translation. While the word “charity” is mostly used about voluntarily giving, the word “caritas” also means honesty, heartfeltness, dearness and tolerance. In a world with a lot of tension and disunity I wanted to write a piece that sings about the commandments to love one another. As ever, choirs performing this work should aim for a good balance between the voice parts, and the music should always be flowing but never hurried.

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