Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the “diamond commercial” theme, its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups. (2:45)
Instrumentation | Number of Parts | Pages Per Part |
---|---|---|
FULL SCORE | 1 | 12 |
FLUTE 1 | 4 | 1 |
FLUTE 2 | 4 | 1 |
OBOE | 2 | 1 |
BB CLARINET 1 | 4 | 2 |
BB CLARINET 2 | 4 | 2 |
BB CLARINET 3 | 4 | 2 |
BB BASS CLARINET | 2 | 1 |
BASSOON | 2 | 1 |
EB ALTO SAXOPHONE 1 | 2 | 2 |
EB ALTO SAXOPHONE 2 | 2 | 2 |
BB TENOR SAXOPHONE | 2 | 1 |
EB BARITONE SAXOPHONE | 1 | 1 |
F HORN 1 | 2 | 1 |
F HORN 2 | 2 | 1 |
BB TRUMPET 1 | 3 | 1 |
BB TRUMPET 2 | 3 | 1 |
BB TRUMPET 3 | 3 | 1 |
TROMBONE 1 | 3 | 1 |
TROMBONE 2 | 3 | 1 |
BARITONE B.C. | 2 | 2 |
BARITONE T.C. | 2 | 2 |
TUBA | 4 | 1 |
STRING BASS | 1 | 1 |
TIMPANI | 1 | 1 |
PERCUSSION 1 | 2 | 1 |
PERCUSSION 2 | 2 | 1 |
Prices and availability subject to change without notice.
Series: Boosey & Hawkes Concert Band
48019208