Nne na Tatu (Swahili for “Four on Three”) is inspired by the music of sub-Saharan Africa and other world music traditions. Like many of those traditions, Nne na Tatu is driven by relentless percussion and rhythmic-focused development. A bold, festive theme, introduced in the brass, recurs throughout and grounds the piece amidst a series of unpredictable detours – a Scottish-inspired dance in the winds, a marimba melody reminiscent of the music of the Andes – before returning in a final triumphant fanfare. Dur: 5:15 (Recorded live by the Indiana University of Pennsylvania Symphony Band, Jason Worzbyt, conductor)
Instrumentation | Number of Parts | Pages Per Part |
---|---|---|
CONDUCTOR SCORE (FULL SCORE) | 1 | 28 |
PICCOLO | 1 | 3 |
FLUTE 1 | 4 | 3 |
FLUTE 2 | 4 | 3 |
OBOE | 2 | 2 |
BB CLARINET 1 | 4 | 3 |
BB CLARINET 2 | 4 | 3 |
BB CLARINET 3 | 4 | 3 |
BB BASS CLARINET | 2 | 2 |
BASSOON | 2 | 2 |
EB ALTO SAXOPHONE 1 | 2 | 2 |
EB ALTO SAXOPHONE 2 | 2 | 2 |
BB TENOR SAXOPHONE | 2 | 2 |
EB BARITONE SAXOPHONE | 1 | 2 |
BB TRUMPET 1 | 2 | 2 |
BB TRUMPET 2 | 2 | 2 |
BB TRUMPET 3 | 2 | 2 |
HORN 1 & 2 IN F | 2 | 2 |
HORN 3 IN F | 1 | 2 |
HORN 4 IN F | 1 | 2 |
TROMBONE 1 | 2 | 2 |
TROMBONE 2 | 2 | 2 |
TROMBONE 3 | 2 | 2 |
EUPHONIUM B.C. | 2 | 2 |
EUPHONIUM T.C. | 2 | 2 |
TUBA | 4 | 2 |
STRING BASS | 1 | 2 |
PERCUSSION 1 | 4 | 2 |
PERCUSSION 2 | 2 | 2 |
PERCUSSION 3 | 2 | 2 |
MALLET PERCUSSION 1 | 4 | 2 |
MALLET PERCUSSION 2 | 2 | 1 |
TIMPANI | 1 | 2 |
PIANO | 1 | 3 |
Prices and availability subject to change without notice.
Series: Windependence Artist Level
48024056