When Karl King was conducting circus bands, he would frequently edit his marches so the same composition could be used for contrasting acts (for example a “lion” act one time, and a “trapeze” act the next). In the same spirit, Thomas Leslie has creatively repurposed this familiar march to suit an imaginary “clown” act; complete with novelty percussion sounds and a few surprises sprinkled in. A bit outrageous, but definitely fun! Dur: c. 2:20
Instrumentation | Number of Parts | Pages Per Part |
---|---|---|
CONDUCTOR SCORE (FULL SCORE) | 1 | 16 |
PICCOLO | 1 | 2 |
FLUTE | 8 | 2 |
OBOE | 2 | 1 |
BASSOON | 2 | 2 |
BB CLARINET 1 | 4 | 2 |
BB CLARINET 2 | 4 | 2 |
BB CLARINET 3 | 4 | 2 |
BB BASS CLARINET | 2 | 2 |
ALTO SAX/SPORANO SAX | 4 | 2 |
ALTERNATE ALTO SAX | 4 | 2 |
BB TENOR SAXOPHONE | 2 | 2 |
EB BARITONE SAXOPHONE | 1 | 2 |
SOLO BB CORNET | 2 | 2 |
BB CORNET 1 | 3 | 2 |
BB CORNET 2 | 3 | 2 |
BB CORNET 3 | 3 | 2 |
F HORN 1 | 1 | 2 |
F HORN 2 | 1 | 2 |
F HORN 3 | 1 | 2 |
F HORN 4 | 1 | 2 |
TROMBONE 1 | 2 | 2 |
TROMBONE 2 | 2 | 2 |
BASS TROMBONE | 2 | 2 |
BARITONE B.C. | 2 | 2 |
BARITONE T.C. | 2 | 2 |
TUBA | 4 | 2 |
STRING BASS | 1 | 2 |
PERCUSSION 1 | 2 | 1 |
PERCUSSION 2 | 2 | 1 |
PERCUSSION 3 | 2 | 1 |
PERCUSSION 4 | 2 | 1 |
Prices and availability subject to change without notice.
Series: MusicWorks Grade 4
4005396