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Composed in anticipation of the Bach anniversary in 2000. The forms and religious symbolism in Holliger's piece are not restricted in their reference to the Cantor of St Thomas' Leipzig, but include the interwoven contradictory attitudes towards Bach of Schumann and Liszt. A technically and musically demanding concert piece. Prelude (“Inner Voice”) • Fugue • Barcarole • Sphinxes (Intermezzo I) • petit “Csárdás obstiné” • Sphinxes (Intermezzo II) • Ciacona monoritmica
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Series: Schott
49008422