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Harlem Nocturne View 103 Products Nocturne View 70 Products Nocturne, Op. 9, No. 2 View 17 Products Nocturne In E-Flat Major, Op. 9, No. 2 View 15 Products Nocturne In G Minor, Op. 15, No. 3 View 13 Products Nocturne, Op. 55, No. 1 View 12 Products Nocturne, Op. 27, No. 2 View 11 Products Nocturne, Op. 48, No. 1 View 11 Products Nocturne, Op. 72, No. 1 View 10 Products Nocturne, Op. 15, No. 2 View 9 Products Nocturne, Op. 27, No. 1 View 9 Products Nocturne - For Long Note Practice View 9 Products Autumn Nocturne View 8 Products Nocturne, Op. 9, No. 1 View 8 Products Nocturne In G Minor, Op. 37, No. 1 View 8 Products Nocturne, Op. 33 View 8 Products Nocturne, Op. 37, No. 2 View 7 Products Nocturne, Op. 32, No. 1 View 7 Products Nocturne, Op. 15, No. 1 View 7 Products Nocturne, Op. 32, No. 2 View 6 Products Nocturne In C-Sharp Minor, Kk. Anh. Ia, No. 6 View 6 Products Nocturne In A Minor View 5 Products Nocturne, Op. 48, No. 2 View 5 Products Nocturne, Op. 62, No. 2 View 5 Products

Glenda Austin | Hal Leonard Glenda Austin Glenda Austin is a recognized composer, arranger, pianist and teacher who writes piano music popular at all levels. Glenda graduated from the University of Missouri (Columbia) with a bachelor’s degree in music education and a master’s degree in piano performance. As an elementary and high school music teacher, Glenda holds memberships in the Music Teachers National Association, Missouri Music Educators Association, Music Educators National Association, Missouri Music Teachers Association and the Joplin Piano Teachers Association. Glenda is a frequent adjudicator and clinician, having presented workshops for teachers and students throughout the United States as well as Canada and Japan. In addition, she serves as an adjunct faculty member at Missouri Southern State University, accompanying jazz and choral groups as well as individual vocal students. Published by Willis Music Company, many of her compositions appear on state repertoire lists. “Jazz Suite No. 2” and “Sea Nocturne” are perennial favorites on the National Federation list. She has also been commissioned by Clavier magazine and continues to be regularly commissioned by teachers’ organizations across the United States. Because of her association and friendship with William Gillock, renowned composer, she was chosen by Willis to simplify the ever popular New Orleans Jazz Styles as well as arrange it for four-hand duets. Married to high-school sweetheart, David Austin, they are the parents of two grown children, Susan and Scott, and grandparents of Isaac, Eden and Levi. Publications by Glenda Austin

Richard Saucedo | Hal Leonard Richard Saucedo Richard L. Saucedo retired in 2013 as Director of Bands and Performing Arts Department Chairman at Carmel High School in Carmel, Indiana. During his 31-year tenure, Carmel bands received numerous state, regional and national honors in the areas of concert band, jazz and marching band. Under his direction, Carmel's Wind Symphony I performed at the Music for All National Concert Band Festival three times, and was named Indiana State Champion Concert Band most recently in 2013. The group also performed at the 2005 Midwest International Band and Orchestra Clinic. Carmel Jazz Ensembles won numerous awards at festivals in Indiana and throughout the Midwest, and the Carmel High School Marching Greyhounds finished in the top ten at the Bands of America Grand National Championship for 17 years under Saucedo and were named National Champions in 2005 and 2012. The Marching Band was the Indiana Class A State Champion four times. He was named Indiana Bandmasters' 1998-99 Bandmaster of the Year, and Indiana Music Educators Association's 2010 Outstanding Music Educator. His accomplishments have been highlighted in articles by HALFTIME and SCHOOL BAND AND ORCHESTRA magazines. He was inducted into the Music for All Hall of Fame in 2015. Mr. Saucedo is a freelance arranger and composer, having released numerous marching band arrangements, choral arrangements, and concert band and orchestral works. He is on the writing staff of Hal Leonard LLC. His compositions have been performed by middle school and high school bands all over the world, as well as by college and university groups. Nocturne, his first work for orchestra, was named most outstanding new composition at the 2009 National Orchestra Cup Festival at Lincoln Center. His most recent orchestra work, Essay #1, was premiered at the 2014 Midwest Clinic. Mr. Saucedo receives numerous commission requests, and will be releasing new works for university, high school and middle school bands throughout 2018-19. He is the author of two DVDs on rehearsing the marching band wind section, and is featured in two DVDs on concert band rehearsal techniques, all available at dynamicmarching.com. Mr. Saucedo travels around the world as an adjudicator, keynote speaker, clinician and guest conductor. He will appear in over 25 states during the 2018-19 school year. In July 2014, he was an adjudicator/clinician for the Singapore International Band Festival, and served as clinician and guest conductor at the Japan Band Clinic in May 2016. In September 2016, he presented at the Australian Band and Orchestra Clinic in Sydney. He was a featured clinician at the 2017 Midwest Clinic and the 2018 Texas Music Educators Association convention. He currently judges for Drum Corps International, and was the brass composer/arranger for the Cavaliers Drum and Bugle Corps (Rosemont, IL) from 2000-2008. The Cavaliers won five DCI World Championships during his tenure. He also spent four years as the brass composer/arranger for the Blue Stars Drum and Bugle Corps (La Crosse, WI). He is an educational consultant for Music for All and Bands of America. He is a member of the Conn-Selmer Division of Education, and currently serves as assistant chief judge for Bands of America marching band competitions. He is a former member of the Board of Directors for United Sound, an organization whose mission is to give special needs students a chance to experience the joy of instrumental music performance through peer mentoring. Mr. Saucedo did his undergraduate work at Indiana University in Bloomington, and finished his master's degree at Butler University in Indianapolis. He is an aviation enthusiast and a certified private pilot. He is married to Sarah and is most proud of his two children - his daughter Carmen studied elementary education at Ball State and is now a teacher; his son Ethan is in 5th grade and plays basketball and studies piano and percussion. Publications by Richard Saucedo

Benjamin Britten Biography | Hal Leonard Distributed by Britten Home YouTube Festival Biography Choral Publications Benjamin Britten Biography Benjamin Britten was born in Lowestoft, Suffolk, on the east coast of England, on 22 November 1913. Although he was already composing vigorously as a child, he nonetheless felt the importance of some solid guidance and in 1928 turned to the composer Frank Bridge; two years later he went to the Royal College of Music in London, studying with Arthur Benjamin, Harold Samuel and John Ireland. While still a student, he wrote his "official" Op. 1, the Sinfonietta for chamber ensemble, and the Phantasy Quartet for oboe and string trio, and in 1936 he composed Our Hunting Fathers, an ambitious song-cycle for soprano and orchestra, which confirmed Britten's virtuosic vocal and instrumental technique. He was already earning his living as a composer, having joined the GPO (Post Office) Film Unit the previous year; the collaboration he began there with the poet W. H. Auden was to prove an important one throughout his career. Britten found himself in the United States at the outset of World War Two and stayed there for three more years, returning to Britain in 1942. In America he produced a number of important works, among them the orchestral Sinfonia da Requiem, the song-cycle Les Illuminations for high voice and strings, and his Violin Concerto. With the opera Paul Bunyan he also made his first essay in a genre that would be particularly important to him. Back in Britain, where as a conscientious objector he was excused military service, he began work on the piece that would establish him beyond question as the pre-eminent British composer of his generation — the opera Peter Grimes, premiered to an ecstatic reaction on 7 June 1945. The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Purcell — a cornerstone of the orchestral repertoire — was first performed in the following year. Indeed, Britten now composed one major work after another, among them the operas The Rape of Lucretia (1946), Albert Herring (1947), Billy Budd (1951), Gloriana (1953), The Turn of the Screw (1954), Noye's Fludde (1957), A Midsummer Night's Dream (1960), Owen Wingrave (1970-71) and Death in Venice (1971-73); the Nocturne for tenor and orchestra (1958), the War Requiem (1961-62), a Cello Symphony (1963) for Rostropovich and his orchestral Suite on English Folk Tunes (1974). Britten's importance in post-War British cultural life was enhanced by his founding of the English Opera Group in 1946 and the Aldeburgh Festival two years later. His career as a composer was matched by his outstanding ability as a performer: he was both a refined pianist and a spontaneous and fluent conductor — his Mozart was particularly highly esteemed. Britten's later career was clouded by bouts of ill-health, culminating in heart disease. He never fully recovered from open-heart surgery in 1973, and died on 4 December 1976, at the age of 63, a few months after being appointed a life peer — the first composer ever to know that honour.