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With the Petrarch settings, I am continuing my preoccupation with classical Italian literature, after setting Michelangelo in 2011 and Ariosto in 2013.
The gesture and harmony of the piece are developed entirely from the text and from the sensations that are expressed there.
Petrarch's poetry is an exploration of beauty and pain that begins again and again: beauty that lies in pain and pain that is causedby beauty. Anno Schreier
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