Search Results for: “Stan Kenton”


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Mark Taylor | Hal Leonard Mark Taylor In 2001 Mark retired as chief arranger for The United States Army Band ("Pershing's Own"), where he was on staff for 24 years. During that time, he composed extensively for the U.S. Army Blues, writing all of the material for their album A New Beginning and much of the material for Scream Machine. His arrangements and compositions have been performed by the Army Blues throughout the world, including concerts at the prestigious Montreux Jazz Festival in Montreux, Switzerland. Prior to joining the Army, Mark was fortunate to write for Stan Kenton, who recorded many of his compositions and also gave him his start in music publishing. He has a large publishing portfolio and has influenced thousands of student musicians, many of whom were first exposed to big band jazz through his music. His latest project is the Taylor/Fidyk Big Band, which is co-led with Washington D.C. drummer Steve Fidyk. They released their CD A Perfect Match in 2002 to rave reviews. Their new CD Live at Blues Alley has just been released on the OA2 record label. Mark is a highly regarded clinician presenting many workshops on arranging for the jazz band, most recently appearing at the Midwest Band Clinic in Chicago. Mark holds a master's degree in music from the University of North Texas. Mark is currently a staff arranger for Hal Leonard Corporation and resides in Cape Coral, Florida. Recordings: Kenton 76 - Stan Kenton Orchestra "Samba de Haps" Journey to Capricorn - Stan Kenton Orchestra "Granada Smoothie" "Too Shy to Say" Tribute to Woody - Bill Perkins Big Band "Tenderly" "I've Got the World on a String" Their Time Was the Greatest - Louie Bellson Orchestra "Brush Taps" A Perfect Match - The Taylor/Fidyk Big Band Live at Blues Alley - The Taylor/Fidyk Big Band Publications by Mark Taylor
John Wasson | Hal Leonard John Wasson John Wasson is an award-winning performer, composer, arranger and conductor with a diversity of experiences in the music business. Born in 1956 and raised in St. Paul, Minnesota, John studied at the University of North Texas where he earned degrees in Music Theory and Trombone Performance, and played for 3 seasons in the acclaimed One o’clock Lab Band with which he toured throughout the US and Europe and appeared on four recordings. He has also been a member of the Woody Herman and Stan Kenton Orchestras and was a charter member of the Dallas Brass. As a composer and arranger, John’s music has been heard around the world in a variety of settings from his arrangement of Caravan heard in the final scene of the Academy Award-winning motion picture “Whiplash” to his orchestrations performed by the Chicago Symphony, the Cleveland Orchestra, the Dallas Symphony, the Dallas Winds, and the Carolina Crown Drum Corps. He has also been the primary composer and arranger of the Dallas Brass for over 35 years. As a commercial composer and producer, John has created music for such clients as the Ken Burns American Heritage Prize, National Geographic, The United Way, Electronic Data Systems, the Salvation Army and Zola Levitt Ministries. Many of his compositions and arrangements appear in the catalogs of several publishers including Hal Leonard, C. L. Barnhouse, Alfred Music, and Praise Charts.  John currently directs the Jazz Ensembles and teaches Music Theory, Composition and Arranging at Texas A&M University-Commerce. He also leads and performs in his own Strata Big Band and CoolBrass Jazztet. John is an XOBrass performing artist.  Publications by John Wasson
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