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Doreen Rao | Hal Leonard Doreen Rao Doreen Rao's distinguished career as conductor and master teacher links the standards of professional performance with the goals of music education. Celebrated for her spirited and moving concerts, Rao's commitment to choral music education is recognized in her innovative programming, teaching initiatives, worldwide conducting appearances and her award winning publications with Boosey & Hawkes. Doreen Rao holds the University of Toronto Elmer Iseler Chair in Conducting. As the Director of Choral Programs, Dr. Rao founded the Faculty of Music's Centre for Advanced Studies in Choral Music which supports and enriches the Faculty's ensemble and conducting programs, hosts the Elmer Iseler Singers and sponsors the International Bach Festival with Helmuth Rilling. Rao conducts the award-winning University of Toronto MacMillan Singers and Chamber Choirs. Her young ensembles collaborate regularly with the Toronto Symphony Orchestra and a roster of internationally celebrated artists and educators. She leads the University's graduate program in conducting performance and teaches graduate research and philosophy courses related to music performance in education. Recognized as one of the world's leading experts on children and youth choirs, Doreen Rao founded and chaired the ACDA National Committee for Children's Choirs, pioneering work that inspired the children's choir movement in America. In a national tribute presented to her by the American Choral Director's Association, eminent American conductor Robert Shaw wrote, "The world of choral music owes her special thanks. She is preparing our future." During Rao's long association with the Chicago Symphony Chorus, she served as assistant conductor to her mentor Margaret Hillis and prepared choruses for concerts and Grammy Award-winning recordings with Sir Georg Solti, Claudio Abbado, and James Levine. Her choirs also performed on numerous occasions with Leonard Slatkin and the St. Louis Symphony Orchestra, and with Helmuth Rilling at the Oregon Bach Festival. The Phi Mu Alpha Sinfonia awarded her with their National Citation for her significant and lasting contribution to the cause of American music. She has been honored by the American Choral Director's Association for her commitment to choral excellence. A CBS television documentary called her musical achievements "extraordinary." Following her undergraduate education at the University of Illinois, Rao spent the first years of her career in Chicago singing professionally and teaching choral music in the schools. She served as Music Director and Conductor of the Glen Ellyn Children's Chorus, an ensemble that performed and recorded regularly with the Chicago Symphony Orchestra and Chorus. Following graduate studies at Northwestern University, she joined the Voice Faculty at Roosevelt University's Chicago Musical College where she performed and taught voice and choral music before accepting an invitation to conduct the Northwestern University Chorus and complete her doctoral studies in philosophy and aesthetics. Rao's innovative Sing with the Symphony school and family concerts were first introduced by the Toronto Symphony Orchestra to actively involve audiences in listening as performers. In a pioneering career of "firsts," Rao conducts honor choirs, all-state choirs and festival choirs for numerous national and international conferences, associations and performance organizations around the world. Most recently she enjoyed conducting the inspired young Texas All-State Chorus with Orchestra for the Texas Music Educators Association. Doreen Rao is the Founding Director of the CME Institute for Choral Teacher Education, an internationally acclaimed professional development program for conductors, composers, choirs and teachers. She is the Artistic Director and Conductor of the New Millennium Festival Concerts, an innovative peacemaking initiative with concert series in New York, Toronto and London. Publications by Doreen Rao
Valerie Mack | Hal Leonard Valerie Mack Valerie Lippoldt Mack, lead instructor of music at Butler Community College in El Dorado, Kansas received a Bachelor of Arts from Bethany College, a Bachelor of Music Education and Master’s of Music Education from Wichita State University. Valerie has gained experience and recognition as a music educator and professional choreographer throughout the United States. Her choreography has been featured at Carnegie Hall, Disney World, national ACDA conventions and MENC workshops. A noted clinician, adjudicator and director, she has presented and adjudicated more than 500 workshops and festivals, including the Shawnee Press annual Music in the Mountains event. She and her husband Tom, direct the annual Butler Showchoir Showcase each summer in El Dorado, Kansas. At Butler Community College, Valerie directs the 100-voice Butler Concert Choir, the Butler Headliners Showchoir, the Smorgaschords Barbershop Quartet, and teaches tap dance and private voice. The barbershop quartet continuously places at the International Collegiate Barbershop Competition. Valerie was honored as the Butler Master Teacher, has delivered commencement addresses, and is in demand as a motivational speaker for numerous events. In her spare time, Valerie teaches at the Kansas Dance Academy, is a talent coach for the Miss America program, and is involved with family activities. Valerie and Tom reside in Wichita, Kansas with their two children, Stevie and Zane. Publications by Valerie Mack
Linda Spevacek | Hal Leonard Linda Spevacek Over the past two decades, Linda Spevacek has become one of the most successful composers in modern choral music. She has sold more than 7 million copies of over 700 published compositions and arrangements. Linda has continued to keep her compositions original and creative while maintaining the consistency and integrity that has given her a world-renowned reputation. Dynamic, inspiring, creative and expressive are just a few words that describe the level of excellence found in every Linda Spevacek composition, arrangement, seminar and reading session. In addition, singers from all over the world performed her arrangements twice on the nationally televised MENC World's Largest Concert on PBS. Several of her works have been premiered at annual conventions of the American Choral Directors Association, the Music Educators National Conference and on the Hour of Power at the Crystal Cathedral. Linda was a featured conductor at Carnegie Hall in New York in 1999. Her work has won repeated awards from the American Society of Composers, Authors and Publishers (ASCAP) in recognition of her outstanding achievements and success. She has composed commissions for many large massed groups around the country (many of these compositions have become signature pieces for the choirs). In addition to membership in ASCAP, Linda is a member of The American Choral Director's Association (ACDA), The Music Educators National Convention (MENC), the National Teachers of Singing (NATS), and Sigma Alpha Iota (SAI), a professional sorority of women musicians. In addition to her published titles, she has authored seven choral collections, five piano books and six vocal collections. Linda's energy and devotion to working with singers at all levels have resulted in numerous invitations as guest conductor for various national, state, regional and choir, church, and school honor festivals. Linda's schedule includes conducting, judging and teaching across the United States and Canada. Linda has an education degree from the University of Wisconsin in Madison with her primary emphasis on voice, piano and theory. She has since worked extensively with elementary, junior and senior high school choirs, community choirs consisting of youth, high school, college and adult levels as well as church choirs of all sizes and denominations. Linda is one of the most sought after judges, workshop and reading session clinicians in the country. Her dynamic clinic presentations include a variety of topics from vocal technique, creative programming, teaching musical sensitivity through literature, success with the non-singer, recruiting and teaching males, editing accompaniments, composing a mini-opera, creative workshops combining youth/adult choirs, working and recruiting the male singer and a motivational/inspirational sessions. Linda pursues her full time writing career from her home. She lives in Phoenix, AZ where she maintains a diverse voice studio. Publications by Linda Spevacek
Eugenie Rocherolle | Hal Leonard Eugenie Rocherolle Composer, lyricist, pianist, and teacher, Eugenie Rocherolle began an early career in publishing with choral and band music. In 1978, with the success of her first piano solo collection, she soon established herself as one of the leading American composers of piano repertoire. Her music is widely distributed throughout the United States and abroad. A native of New Orleans, she graduated from Newcomb College of Tulane University with a BA in music. Her junior year was spent in Paris where she had a class with the late Nadia Boulanger. She was honored as the 1995 outstanding Newcomb alumna. A "Commissioned by Clavier" composer, she was also one of seven composer members of the National League of American Pen Women whose works were chosen to be presented in a concert at the Terrace Theater of the Kennedy Center, Washington, D.C. Awards from the Pen Women include a first place for both piano and choral in biennial national competitions. Mrs. Rocherolle's creative output also includes works for solo voice, chorus, and orchestra; musical theater; and chamber music for a variety of mediums. She is a member of the American Society of Composers, Authors and Publishers (ASCAP); Connecticut Composers Inc.; and the National Federation of Music Clubs. Her biographical profile appears in the International Who's Who in Music, Baker's Biographical Dictionary of 20th Century Classical Musicians, International Encyclopedia of Women Composers, Who's Who of American Women and Who's Who in the East. Mrs. Rocherolle has released recordings of her piano music, Spinning Gold and Romancing the Piano, and her Christmas arrangements, Tidings of Joy, on an independent label, Aureus Recordings. She maintains a private music studio where she teaches piano and composition. Publications by Eugenie Rocherolle
Sister Act Jr. - Broadway Junior | Hal Leonard Menu LEARN MORE About Broadway Junior What Comes With the Showkit®? How to License a Broadway Junior Musical Order an Audio Sampler Frequently Asked Questions 60-Min.ute Musicals [JR.] 60-Minute Musicals 13 Jr. Alice In Wonderland Jr. (Disney) Aladdin Jr. (Disney) Annie Jr. Beauty and the Beast Jr. (Disney) The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot & The Kangaroo Jr. The Drowsy Chaperone Jr. Elephant & Piggie's "We Are In A Play" Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Finding Nemo Jr. (Disney) Finian's Rainbow Jr. Flat Stanley Jr. Frozen Jr. (Disney) A Ghost Tale for Mr. Dickens Jr. (Magic Tree House) Godspell Jr. Guys and Dolls Jr. Hairspray Jr. High School Musical Jr. (Disney) Honk! Jr. Into the Woods Jr. James and the Giant Peach Jr. (Roald Dahl) Junie B. Jones Jr. Legally Blonde Jr. The Lion King Jr. (Disney) The Little Mermaid Jr. (Disney) Madagascar - A Musical Adventure Jr. Mary Poppins Jr. (Disney/Cameron Mackintosh) Matilda Jr. (Roald Dahl) Mean Girls Jr. Moana Jr. (Disney) The Music Man Jr. My Son Pinocchio Jr. (Disney) Newsies Jr. (Disney) Oliver! Jr. Once on This Island Jr. Peter Pan Jr. (Broadway) The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! Jr. Seussical Jr. Shrek Jr. Singin' In The Rain Jr. Sister Act Jr. Thoroughly Modern Millie Jr. Willy Wonka Jr. (Roald Dahl) Xanadu Jr. 30-Min.ute Musicals [KIDS] 30-Minute Musicals 101 Dalmatians KIDS (Disney) Aladdin KIDS (Disney) Annie KIDS Aristocats KIDS (Disney) Dinosaurs Before Dark KIDS (Magic Tree House) Finding Nemo KIDS (Disney) Frozen KIDS (Disney) The Jungle Book KIDS (Disney) The Knight at Dawn KIDS (Magic Tree House) The Lion King KIDS (Disney) The Music Man KIDS Pirates Past Noon KIDS (Magic Tree House) Seussical KIDS Willy Wonka KIDS (Roald Dahl) Winnie the Pooh KIDS (Disney) A Year with Frog and Toad KIDS Product Information Musical Numbers Cast of Characters Credits Music by Alan Menken Lyrics by Glenn Slater Book by Bill & Cheri Steinkellner Additional Book Material by Douglas Carter Beane Overview / Synopsis It's Christmas Eve in 1977 Philadelphia, and Deloris is in the middle of a high- energy audition with her backup singers ("Take Me To Heaven (Nightclub)"). She and the girls are performing for Curtis, Deloris's boyfriend, and his thugs, Joey, TJ, Pablo, and Ernie. Despite praise from the thugs, Curtis doesn't believe Deloris and her singers are ready to perform in his club. After this rejection and a disappointing Christmas gift, Deloris decides that she deserves better, walking away from Curtis and his club with confidence ("Fabulous, Baby!"). However, Deloris is unwillingly drawn back in when she accidentally witnesses Curtis murdering Ernie for being a police informant. Curtis confronts her, but she flees. Deloris goes straight to the police station where Officer Eddie Souther takes an interest in what she has to say. Immediately recognizing the officer as "Sweaty Eddie," a boy who had a crush on her in high school, Deloris puts her faith in Eddie, trusting him to find her a place to hide from her dangerous boyfriend. Eddie thinks of "the perfect place," Queen of Angels Cathedral in South Philadelphia. Mother Superior hesitates to take in the "wayward woman" Monsignor O'Hara describes, but upon his insistence, she agrees. Both Deloris and Mother Superior are shocked when they discover Deloris will be hiding there for a month. Mother Superior is especially distressed to discover that Deloris is not religious. She describes Deloris's new environment to her, handing her a nun's habit to wear ("Here Within These Walls"). Mother Superior introduces Deloris to the nuns, referring to her as Sister Mary Clarence "from a more progressive order." The nuns say a prayer and begin to eat dinner, but when Deloris complains about the food, Mother Superior proposes a fast. While Deloris complains, the nuns enthusiastically share all the reasons why they love being nuns ("It's Good To Be A Nun"). Mother Superior and Deloris are left alone, and Mother Superior has a proposition: would Deloris like to join the choir? The singer quickly says she will. The next morning, Deloris arrives at choir practice and is immediately shocked at how terrible the choir sounds. The nuns, however, are amazed at Deloris's musical talent. Taking the musical baton from choir leader Mary Lazarus, Deloris reminds the nuns that they are "rejoicing" and "singing to the Lord." She encourages the nuns to sing louder, to sing on key, and to blend with each other. By the end of the rehearsal, the choir sounds incredible ("Raise Your Voice"). The choir continues to impress at the next church service, where they draw crowds the church hasn't had for a long time ("Take Me To Heaven (Nun Choir Version)"). But not everyone is impressed by the choir's new sound - Mother Superior calls Eddie to the church, asking him to take Deloris away. Eddie relays this command to Deloris, who is frustrated and concerned that Curtis will find her. She is disappointed with Eddie, and Eddie wishes desperately that he could be her knight in shining armor ("I Could Be That Guy"). Deloris approaches Mother Superior about the choir, trying to get her to understand their performances could be beneficial to the church. Mother Superior disagrees... until Monsignor O'Hara reports that the church is receiving a large number of donations. Mother Superior agrees to keep Deloris in the choir, and the next church service is even more energetic than the previous one ("Sunday Morning Fever - Part 2"). Positive publicity flows in, and the choir is even invited to perform for the pope! The nuns are ecstatic. However, all the publicity has a price - Curtis and his thugs recognize Deloris on TV. They hatch a plot to get into the convent and steal her away ("Lady In The Long Black Dress"). Right before their performance for the pope, the nuns nervously gather in Deloris's room. They ask her to lead them in a blessing, and she does ("Bless Our Show"). Suddenly, Mother Superior bursts into the room, telling Deloris she is in danger and must leave. The nuns are confused - who is Deloris? The musician reveals her true identity and the reason she has been staying in the convent. Though the nuns are shocked and saddened by the news, sweet young postulant Mary Robert approaches Deloris and asks to go with her. The young woman is beginning to doubt being a nun is her true calling ("The Life I Never Led"). Deloris tells her she can't make Mary Robert's decision for her; she must figure that out herself. Mary Robert leaves Deloris her rosary, and Deloris expresses her wish to stay with her sisters ("Sister Act"). The nuns are rehearsing for their performance for the pope when Deloris walks into the room. She has chosen to perform with them, and the nuns are overjoyed. But their joy is quickly interrupted when they hear the sound of a window breaking. Curtis has come for Deloris! The nuns scatter, attempting to hide their sister. After a few minutes of antics, Curtis corners Mary Robert, and Deloris steps in to protect her. With her sisters behind her and Curtis coming for her, Deloris kneels and prays ("Sister Act (Reprise)"). Curtis crosses to Deloris, ready to strike, when Eddie jumps out from the middle of the nuns, surprising the thug. The cops handcuff Curtis and take him away, and Deloris rewards Eddie with a kiss. Mother Superior asks if Deloris will come back to the church to visit, and Deloris says she will be back often to sing. The sisters end the show with a rousing performance for the pope ("Spread The Love Around"). Audio Sampler - HL00294768 $10.00 ShowKit - HL00294771 $695.00 This ShowKit includes: 30 Actor's Scripts Piano/Vocal Score Director's Script Performance/Accompaniment & Guide Vocal Audio (Digital Only) Choreography Videos (Digital Only) Downloadable Media Resources (Digital Only) Digital Delivery Update Now you can receive digital access to many of the ShowKit components you know and love. Look forward to easily distributing these crucial components to your cast and creative team: Performance Accompaniment Tracks and Guide Vocal Tracks (Formerly Accompaniment CD & Rehearsal CD, respectively) will now be delivered together as a digital download and easily shared with your entire team, cast, and crew Choreography Videos (formerly the Choreography DVD) will be available to stream directly from mtishows.com. Now not only your choreographer but the entire cast will have access to fantastic step-by-step instruction for every Broadway Junior title! Downloadable Resources (formerly the Resources (or Media) Disc), including Audition Materials, a customizable press release, program and other helpful templates, and more can all be accessed with a click of a button 60-Minute JR. Request Individual Components 00294756 - Director's Guide $100.00 00294757 - Piano/Vocal Score $40.00 00294758 - Actor's Script $10.00 00294759 - Actor's Script 10-pak $75.00 00294768 - Audio Sampler $10.00 MUSICAL NUMBERS TAKE ME TO HEAVEN (NIGHTCLUB) FABULOUS, BABY! THE PERFECT PLACE HERE WITHIN THESE WALLS IT'S GOOD TO BE A NUN RAISE YOUR VOICE TAKE ME TO HEAVEN (NUN CHOIR VERSION) I COULD BE THAT GUY SUNDAY MORNING FEVER TAKE ME TO HEAVEN (NEWSCAST) LADY IN THE LONG BLACK DRESS BLESS OUR SHOW THE LIFE I NEVER LED SISTER ACT SISTER ACT (REPRISE) SPREAD THE LOVE AROUND Deloris Van Cartier A strong, street- wise aspiring singer who gets caught up with the wrong crowd. When she witnesses a crime involving her ex-boyfriend, she is put in witness protection - as a nun! Deloris is reluctant at first, but the more time she spends at the convent, the more she realizes that time with the sisters is exactly what she needed. Cast a great actress and wonderful singer in this powerhouse role. Tina One of Deloris's backup singers. These featured roles are perfect for enthusiastic performers who may not be quite ready to take on a larger role. Cast solid, good singers who are comfortable with speaking lines in this fun girl group! (And feel free to add these actors to your nun ensemble later in the show.) Nina One of Deloris's backup singers. These featured roles are perfect for enthusiastic performers who may not be quite ready to take on a larger role. Cast solid, good singers who are comfortable with speaking lines in this fun girl group! (And feel free to add these actors to your nun ensemble later in the show.) Elle One of Deloris's backup singers. These featured roles are perfect for enthusiastic performers who may not be quite ready to take on a larger role. Cast solid, good singers who are comfortable with speaking lines in this fun girl group! (And feel free to add these actors to your nun ensemble later in the show.) Michelle One of Deloris's backup singers. These featured roles are perfect for enthusiastic performers who may not be quite ready to take on a larger role. Cast solid, good singers who are comfortable with speaking lines in this fun girl group! (And feel free to add these actors to your nun ensemble later in the show.) Curtis Jackson To put it frankly, a complete jerk. He's not only mean and dishonest, he's also dangerous - and he's got Deloris on his radar. Curtis does not sing a solo, so cast a fantastic actor in this role who can make the most out of playing the bad guy. Joey The wise guy of Curtis's group. He's an upbeat charmer who is always ready with a joke - even though he's one of Curtis's criminals. Cast a charismatic, funny actor with a great singing voice in this role. TJ Not the brightest bulb in the bunch, and the audience is meant to have a few laughs at his expense. Cast a solid comedic actor who has great chemistry onstage with Joey and Pablo. Pablo The strong, silent type who definitely leans into his role as the muscle of the group. He has a few lines and sings some, but most importantly, he should make a great third member of the trio with Joey and TJ. Ernie One of Curtis's thugs and, unfortunately, takes the fall for being a police informant. This is a featured role for a good actor! Feel free to double Ernie as an Altar Boy or the Monsignor O'Hara later in the show if your program is short on male actors - just make sure that the audience won't confuse the characters if they are played by the same person. Cop The first person to talk to Deloris about Ernie's murder. This is a featured role for a performer who may be new to the stage. Eddie Souther The quintessential good guy with a heart of gold. Though Eddie was overlooked by Deloris in high school, he never quite got over his crush on her, which results in a few awkwardly endearing moments throughout the show. Cast an excellent actor, singer, and dancer who can portray this hardworking, sweet, dependable cop. Mother Superior Devoted leader of the convent. Her church and her sisters come before all else - and she's not afraid to voice her opinion. Mother Superior means well and eventually comes around regarding Deloris. Mother Superior is a major role, so look for an excellent singer and actress who can portray this strong, independent woman. Monsignor O'Hara The charming spiritual leader of the Queen of Angels Cathedral. His bottom line is to save their church, and he will do anything to support the bottom line - including forcing Mother Superior to house Deloris. Monsignor O'Hara should have a good stage presence and a sense of comic timing. He does not sing a solo in the show, so cast an actor with charisma who can take over the stage! Mary Patrick A nun in the convent. She is an upbeat, over-the-top, enthusiastic person who is always looking on the bright side. She has a number of solos within songs, so cast a good singer and actor in this fun role. Mary Robert A postulant and the youngest of the abbey's inhabitants. Shy, soft- spoken, and a bit of a wallflower, she enjoys being a nun, but her friendship with Deloris lets her truly find her voice. Cast a powerhouse singer and a great actor in this role. Mary Lazarus One of the older nuns at the convent, and she leads the choir. She is rather deadpan and not particularly welcoming to Deloris at first, though Deloris's love of music eventually wins her over. Cast a great character actor with a sense of comic timing who is comfortable with character singing. Mary Martin-Of-Tours A nun who definitely exists in her own world, so cast a good actor in this role that can make strong character choices. This nun has some wonderful stand-out moments, which include delivering an excellent karate chop, but she does not sing a solo, so cast someone who is a stronger actor than singer for this memorable role. Mary Celeste Mary Celeste and Mary Irene are the convent's cooks. They have a few featured solos, so cast confident singers in these roles. Mary Irene Mary Celeste and Mary Irene are the convent's cooks. They have a few featured solos, so cast confident singers in these roles. Mary Stephen A nun in the convent with a fantastic singing voice. She's supportive of Deloris's music from the start. Cast a great singer. Mary Theresa The oldest nun in the convent. She has a few featured lines and a small solo. This role is a great opportunity for someone new to the stage, so cast a good actor in this role who is comfortable singing in a group. Nuns The Nuns (including Nun 1, Nun 2, and Nun 3) help fill out of the world of the convent. Nun 1, Nun 2, and Nun 3 have featured solos, so be sure to cast actors in these roles that are ready for their moment in the spotlight. Ensemble Roles include: additional Nuns, Altar Boys, Street People, Angry Street Person, and Members of the Congregation
Fiddler On The Roof Jr. - Broadway Junior | Hal Leonard Menu LEARN MORE About Broadway Junior What Comes With the Showkit®? How to License a Broadway Junior Musical Order an Audio Sampler Frequently Asked Questions 60-Min.ute Musicals [JR.] 60-Minute Musicals 13 Jr. Alice In Wonderland Jr. (Disney) Aladdin Jr. (Disney) Annie Jr. Beauty and the Beast Jr. (Disney) The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot & The Kangaroo Jr. The Drowsy Chaperone Jr. Elephant & Piggie's "We Are In A Play" Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Finding Nemo Jr. (Disney) Finian's Rainbow Jr. Flat Stanley Jr. Frozen Jr. (Disney) A Ghost Tale for Mr. Dickens Jr. (Magic Tree House) Godspell Jr. Guys and Dolls Jr. Hairspray Jr. High School Musical Jr. (Disney) Honk! Jr. Into the Woods Jr. James and the Giant Peach Jr. (Roald Dahl) Junie B. Jones Jr. Legally Blonde Jr. The Lion King Jr. (Disney) The Little Mermaid Jr. (Disney) Madagascar - A Musical Adventure Jr. Mary Poppins Jr. (Disney/Cameron Mackintosh) Matilda Jr. (Roald Dahl) Mean Girls Jr. Moana Jr. (Disney) The Music Man Jr. My Son Pinocchio Jr. (Disney) Newsies Jr. (Disney) Oliver! Jr. Once on This Island Jr. Peter Pan Jr. (Broadway) The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! Jr. Seussical Jr. Shrek Jr. Singin' In The Rain Jr. Sister Act Jr. Thoroughly Modern Millie Jr. Willy Wonka Jr. (Roald Dahl) Xanadu Jr. 30-Min.ute Musicals [KIDS] 30-Minute Musicals 101 Dalmatians KIDS (Disney) Aladdin KIDS (Disney) Annie KIDS Aristocats KIDS (Disney) Dinosaurs Before Dark KIDS (Magic Tree House) Finding Nemo KIDS (Disney) Frozen KIDS (Disney) The Jungle Book KIDS (Disney) The Knight at Dawn KIDS (Magic Tree House) The Lion King KIDS (Disney) The Music Man KIDS Pirates Past Noon KIDS (Magic Tree House) Seussical KIDS Willy Wonka KIDS (Roald Dahl) Winnie the Pooh KIDS (Disney) A Year with Frog and Toad KIDS Product Information Musical Numbers Cast of Characters Credits Music by Jerry Bock Book by Joseph Stein Lyrics by Sheldon Harnick Based on Sholem Aleichem's stories by special permission of Arnold Perl Overview / Synopsis Fiddler On The Roof Junior is a special adaptation of the classic Broadway musical, which tackles the universal theme of tradition in ways that reach across barriers of race, class, nationality, and religion. Set in the little village of Anatevka, the story centers on Tevye, a poor dairyman, and his five daughters. With the help of a colorful and tight-knit Jewish community, Tevye tries to protect his daughters and instill them with tradition in the face of changing social mores and the growing anti-Semitism of Czarist Russia. The show features a star turn in Tevye, among the most memorable roles in the musical theatre canon. Its celebrated score, by Jerry Bock and Sheldon Harnick, features songs loved the world over, including "Tradition," "If I Were A Rich Man," and "Sunrise, Sunset." Fiddler On The Roof Junior is a great introduction to the world of musical theatre. Young performers will love its humor, warmth, and honesty. Directors will love the opportunity to direct a large cast with a good balance of male and female roles. Audio Sampler - HL00147642 $10.00 ShowKit - HL00147640 $695.00 This ShowKit includes: Production Guide Director's Guide P/V Vocal Score 30 Actor's Scripts 2 Rehearsal CDs 2 Accompaniment CDs Media Disc Choreographic DVD Cross-curricular Guide 30 Family Matters Booklets 60-Minute JR. Request Individual Components 00147631 - Director's Guide $100.00 00147632 - Piano/Vocal Score $40.00 00147633 - Actor's Script $10.00 00147634 - Actor's Script 10-pak $75.00 00147635 - Perf/Accomp CD pack $75.00 00147636 - Student Rehearsal CD $10.00 00147637 - Student Rehearsal CD 20-pak $100.00 00147638 - Choreography DVD $50.00 00147639 - Media Disc $10.00 00147642 - Audio Sampler $10.00 Hear A Sample Prologue Tradition [Tevye, Golde,Villagers] SCENE 1 Matchmaker [Hodel, Chava, Tzeitel] SCENE 2 If I Were a Rich Man [Tevye] SCENE 3 Sabbath Prayer [Tevye, Golde, Villagers] SCENE 4 To Life [Tevye, Lazar Wolf, Men] SCENE 8 Sunrise, Sunset [Tevye, Golde, Perchik, Hodel, Villagers] Wedding Dance [Villagers] SCENE 10 Do You Love Me? [Tevye, Golde] SCENE 11 Far from the Home I Love [Hodel] SCENE 13 Chava Sequence [Villagers] SCENE 14 Anatevka [Golde, Yente, Lazar Wolf, Mendel, Avram, Tevye] Tevye Tevye is the heart and conscience of Fiddler on the Roof. Tevye is generally cast as a larger young man, but his stature really comes from his integrity and zest for life. Tevye's emotional range runs from strong patriarch to gentle father. He should be robust. He understands his role as leader of the family, but knows his place as his wife's husband. Your Tevye should be able to show the wide range of conflict, joy and pain that his character feels throughout the story. The actor playing Tevye needs to be comfortable speaking directly to the audience, and being the spiritual leader of your production. He does not necessarily need to have a great singing voice, but he must have a strong, easily projected voice that can fill your performance space. Tevye must develop an easy-going, comfortable rapport with the audience. Vocal Range: Ab3 - D Golde Golde is the backbone of the family. She has a rather gruff exterior, but in her heart is sheer dedication to her family. When casting Golde, remember that she must be able to frighten Tevye. She runs the household and keeps Tevye's more emotional side in check. Conversely, she should be able to show a softer side when dealing with Chava and Tevye's rift. Golde lives that her daughters will be married. She, like Tevye, need not be the greatest singer in the world, but she should have a commanding voice. Vocal Range: G3 - Db5 Tzeitel Tzeitel is the oldest daughter of Tevye and Golde. She is the first to be matched by Yente and sets the plot of Fiddler into action by pleading with her father to let her marry Motel the Tailor, to whom she has pledged her love. When casting Tzeitel, keep in mind that she is the oldest daughter. She is determined to marry Motel and knows how to manipulate her father. Vocal Range: Bb3 - Cb5 Hodel Hodel is a strong, independent middle child of the three older daughters. She is outspoken, but respectful. She has her eye on the Rabbi's son at the outset of the story, but she is taken with the revolutionary Perchik from the moment she meets him. Hodel proves that her dedication to and love for Perchik is real as she follows him to Siberia after his arrest. Hodel's melancholy lament, "Far From the Home I Love," demands a good singer/actor. Vocal Range: Bb3 - Db5 Chava Chava is the third youngest daughter. She is an introspective, rather shy young woman who seems to favor books over other pursuits. Her love for the young Russian, Fyedka, tests her father's love to the limit and provides the largest conflict in the story. The actor playing Chava must be able to display a wide emotional range. Vocal Range: Bb3 - Cb5 Motel Motel is the young tailor enamored of Tzeitel. He is an endearing sort of Woody Allen type. He needn't be a great singer, but should be able to dance at his wedding. A young man with good comic timing and a vulnerable quality is ideal. Perchik Perchik is a young student who leans toward a revolutionary, or as Tevye calls him, "A radical." Your Perchik should be able to hold his own with Tevye. Being a strong character, he clashes with Tevye idealistically, but is likable, charming, and ultimately, a member of the family. Vocal Range: Bb3 - Bb5 Lazar Wolf Lazar Wolf is, by trade, a butcher. Lazar should probably be a large boy, but, frequently, opposites are funny. A kid of any size can pull off this part, but must be a little bit repugnant. Tzeitel is frightened to marry Lazar Wolf and she should have reason to be so. Lazar Wolf has featured singing in, "To Life" and must be able to sell the song. Vocal Range: A3 - C5 Constable The Constable is the local sheriff representing the anti-Semitic Russian government. Take care to cast an actor who can provide a sense of threat, foreboding, and conflict. The Constable is a complex character who is conflicted over his relative goodwill toward individuals in the Jewish community and his duty to harass them. This is a non-singing role that requires a good, strong actor. Fyedka Fyedka is a young Russian soldier who falls in love with Chava. Look for a young man who might look distinctly Russian, trying to contrast his look as a Gentile who enters the Jewish world as an outsider. He should be a strong actor, but needn't be a singer. Shprintze and Bielke Shprintze and Bielke are the youngest daughters of Tevye and Golde. They are considerably younger than the three "matchmaker" daughters. They have only a few lines, but are featured in quite a few scenes. They need to be able to carry a tune in the group songs. The Fiddler The Fiddler must be a young person who can hold the attention of an entire audience with movement, facial expression, and dance. As the title character, the Fiddler must be the physical embodiment of the theme of the show. Freedom of movement and expression are the keys to casting your Fiddler. The Fiddler is a silent, lead role. Yente Yente is your matchmaker. Try to cast a young woman who can capture the quintessential feel of the Jewish matchmaker, without necessarily making her a stereotype. She should be able to play older. She's not elderly, but mature. The Villagers The Villagers group can be as large as your stage can safely accommodate. They are the faces of Anatevka. This character group insures that you can cast any young person who auditions, regardless of their talent level or experience. The Russians The Russians are soldiers under the command of the Constable. This is a good group to case your least experienced auditioners. One, Sasha, has two lines. They needn't be singers, but can sing in a group numbers from offstage if they are able.
Singing In The Rain Jr. - Broadway Junior | Hal Leonard Menu LEARN MORE About Broadway Junior What Comes With the Showkit®? How to License a Broadway Junior Musical Order an Audio Sampler Frequently Asked Questions 60-Min.ute Musicals [JR.] 60-Minute Musicals 13 Jr. Alice In Wonderland Jr. (Disney) Aladdin Jr. (Disney) Annie Jr. Beauty and the Beast Jr. (Disney) The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot & The Kangaroo Jr. The Drowsy Chaperone Jr. Elephant & Piggie's "We Are In A Play" Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Finding Nemo Jr. (Disney) Finian's Rainbow Jr. Flat Stanley Jr. Frozen Jr. (Disney) A Ghost Tale for Mr. Dickens Jr. (Magic Tree House) Godspell Jr. Guys and Dolls Jr. Hairspray Jr. High School Musical Jr. (Disney) Honk! Jr. Into the Woods Jr. James and the Giant Peach Jr. (Roald Dahl) Junie B. Jones Jr. Legally Blonde Jr. The Lion King Jr. (Disney) The Little Mermaid Jr. (Disney) Madagascar - A Musical Adventure Jr. Mary Poppins Jr. (Disney/Cameron Mackintosh) Matilda Jr. (Roald Dahl) Mean Girls Jr. Moana Jr. (Disney) The Music Man Jr. My Son Pinocchio Jr. (Disney) Newsies Jr. (Disney) Oliver! Jr. Once on This Island Jr. Peter Pan Jr. (Broadway) The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! Jr. Seussical Jr. Shrek Jr. Singin' In The Rain Jr. Sister Act Jr. Thoroughly Modern Millie Jr. Willy Wonka Jr. (Roald Dahl) Xanadu Jr. 30-Min.ute Musicals [KIDS] 30-Minute Musicals 101 Dalmatians KIDS (Disney) Aladdin KIDS (Disney) Annie KIDS Aristocats KIDS (Disney) Dinosaurs Before Dark KIDS (Magic Tree House) Finding Nemo KIDS (Disney) Frozen KIDS (Disney) The Jungle Book KIDS (Disney) The Knight at Dawn KIDS (Magic Tree House) The Lion King KIDS (Disney) The Music Man KIDS Pirates Past Noon KIDS (Magic Tree House) Seussical KIDS Willy Wonka KIDS (Roald Dahl) Winnie the Pooh KIDS (Disney) A Year with Frog and Toad KIDS Product Information Musical Numbers Cast of Characters Credits Screenplay by Betty Comden & Adolph Green Songs by Nacio Herb Brown & Arthur Freed Based on the classic Metro-Goldwyn-Mayer film, by special arrangement with Warner Bros. Theatre Ventures, Inc. Overview / Synopsis The "Greatest Movie Musical of All Time" is faithfully and lovingly adapted by Broadway legends Betty Comden and Adolph Green from their original award-winning screenplay in Singin' In The Rain JR. Hilarious situations, snappy dialogue, and a hit-parade score of Hollywood standards make Singin' In The Rain JR. a guaranteed good time for performers and audience members alike. Singin' In The Rain JR. has all the makings of a Tinseltown tabloid headline - the starlet, the leading man and a love affair that could change lives and make or break careers! In silent movies, Don Lockwood and Lina Lamont are a hot item, but behind the scenes things aren't always as they appear on the big screen! Meanwhile, Lina's squeaky voice might be the end of her career in "talking pictures" without the help of a talented young actress to do the talking and singing for her. Three extraordinary roles for young dancers and a tour de force comedic turn make Singin' In The Rain JR. a perfect choice for any group with an abundance of talent ready to shine. Audio Sampler - HL00151890 $10.00 ShowKit - HL00151881 $695.00 This ShowKit includes: Production Guide Director's Guide P/V Vocal Score 30 Actor Scripts 2 Rehearsal CDs 2 Accompaniment CDs Media Disc Choreographic DVD Cross-curricular Guide 30 Family Matters Booklets 60-Minute JR. Request Individual Components 00151882 - Director's Guide $100.00 00151883 - Piano/Vocal Score $40.00 00151884 - Actor's Script $10.00 00151885 - Actor's Script 10-pak $75.00 09971451 - Perf/Accomp CD $75.00 00151886 - Student Rehearsal CD $10.00 00151887 - Student Rehearsal CD 20-pak $100.00 00151888 - Choreography DVD $50.00 00151889 - Media Disc $10.00 00151890 - Audio Sampler $10.00 Hear A Sample SCENE 1 Fit As a Fiddle [Cosmo, Don, Crowd] SCENE 3 All I Do is Dream of You [Kathy, Kathy's Girls] SCENE 4 Make 'Em Laugh [Cosmo, Stagehands, Chorus Girls] Lucky Star [Kathy] You Were Meant For Me [Don, Kathy] SCENE 5 Moses Supposes [Don, Cosmo, Students] SCENE 6 Good Morning [Kathy, Cosmo, Don] Singin' in the Rain [Don, Ensemble] SCENE 7 Lina's Film Would You [Lina] Kathy's Film Would You [Kathy] What's Wrong With Me [Lina] SCENE 8 Broadway Melody [Broadway Melody Host, Dancers, Chorus] SCENE 9 Lina's Would You [Lina, Kathy, Cosmo] Lucky Star (Reprise) [Don, Kathy, Ensemble] Bows [Cast] Dora Bailey Always first on the scene for any major film opening, and she has the Hollywood scoop. This is a perfect non-singing role for a student with a great speaking voice who isn't quite ready for a lead. Gender: Female Don Lockwood Hollywood's leading man in silent film. Charming and charismatic, Don has no shortage of female admirers. Don is smart and levelheaded; he likes being a famous Hollywood actor, but he doesn't let the celebrity hype go to his head. Cast your best male singer and actor in this role, and someone who pairs well with Kathy. Gender: Male Vocal Range: Eb4 - Bb2 Lina Lamont A glamorous star of Hollywood's silent films. She believes everything amazing she reads about herself in the gossip magazines, including that she and Don Lockwood are madly in love. Your actress will have to work to accomplish the right amount of exasperating ditz to bring this character to life. Cast a confident, comedic actress who is not afraid to take positive risks and can keep Lina's nasal, grating voice consistent throughout the entire show. Gender: Female Vocal Range: Db5 - Bb3 Cosmo Brown Often serves as the comic relief in the show. Quick-witted and sure-footed, Cosmo is fast with a one-liner to lighten the mood. Cosmo is Don's right-hand man, and it's great to cast someone who physically contrasts with Don. Cast someone with great comedic chops and a strong musical sense as he leads many numbers in the show. Gender: Male Vocal Range: Eb5 - Bb2 Roz Always by Lina's side, or trailing after her. As Lina's manager, Roz works hard to make sure nothing upsets her. This non-singing character is a great supporting role for a promising young actress. Gender: Female R.F. Simpson The studio producer in charge of "Lockwood-Lamont" films. R.F.'s first and foremost goal is to make money, and if that means doing a talkie film that's fine with him. Cast a character actor who can show off R.F.'s anxious boss persona. This is a great non- singing role for a physically smaller actor with a big voice. Gender: Male Dexter The studio's director for Lamont and Lockwood films. He's loud and blustery, and he's easily frustrated with his assistants and Lina. This is a perfect non-singing role for an actor with a big voice who can show his frustration as he works to complete his first talkie. Gender: Male Dexter's Assistants Dexter's 1st, 2nd and 3rd Assistants are great featured roles for ensemble members who are new to the stage. Gender: Both Kathy Selden Wants to become an actress. She takes her career as an artist seriously and is embarrassed that she has to take jobs like singing and popping out of a cake just to get by. Cast your strongest singer and actress who can easily portray an honest likability as well as a tough exterior. An actress who pairs well with Don is also important as they have many scenes together. Gender: Female Vocal Range: Eb5 - G3 Miss Dinsmore and the Teacher The vocal coaches hired to turn Lina's voice into cultured perfection and to work with all of the other actors in the show. Tough, proper and slightly overworked, these characters are great roles to feature your hard-working ensemble members. These are non-solo singing roles. Gender: Female Zelda Lina's right-hand gal, who informs her that Kathy's voice is being dubbed over hers. Zelda can be dramatic and over-the-top like Lina, but at her core, she cares about her friend. This is a fantastic featured role for a confident performer who is unafraid to make bold choices. Gender: Female Sam A sound engineer, should be all business. Cast a young person who is comfortable taking charge onstage. Gender: Both Broadway Melody Host A natural leader. This role can be male or female and should be one of your stronger singers. This actor doesn't need to be an excellent dancer, but he or she needs to command the stage with an air of confidence. Gender: Both Vocal Range: F5 - Bb2 Broadway Dancers Broadway Dancers #1 and #2 are featured in "Broadway Melody" and should be excellent singers and dancers. Gender: Both Vocal Range: F5 - C3 Chorus Girls The Chorus Girls #1, #2, #3 and #4 are great featured singing roles in "Make 'Em Laugh." They don't need to be great singers as long as they can convey character and are able to be heard. Gender: Female Vocal Range: D5 - C4 Stagehands Stagehands #1, #2 and #3 are great featured singing roles in "Make 'Em Laugh." They don't need to be great singers as long as they can convey character and are able to be heard. Gender: Both Vocal Range: C5 - F4 Ensemble The ensemble roles in Singin' In The Rain JR. are comprised of the Crowd, Pedestrians, including Pedestrian #1 and Pedestrian #2, Stars, Fans, including Fan #1 and Fan #2, Policeman, Party Guests, including Young Lady, Kathy's Girls, Chorus Girls, Broadway Chorus, Guests, a Sound Engineer, Stagehands, Students, Sound Crew, Screening Guests, a Passerby, the Butler, Orchestra Leader and Audience Members. They really make the 1920s Golden Age of Hollywood come alive and are essential to this romantic light-hearted comedy. These ensemble groups are filled with named characters that have lines, so many of your ensemble students will have featured moments. Depending on your cast size, these ensemble groups can all be double or triple cast. Even if you have actors playing three or four different ensemble roles, emphasize the importance of character, and make sure your young performers make consistent character choices when they step onstage. Gender: Both
Annie KIDS - Broadway Junior | Hal Leonard Menu LEARN MORE About Broadway Junior What Comes With the Showkit®? How to License a Broadway Junior Musical Order an Audio Sampler Frequently Asked Questions 60-Min.ute Musicals [JR.] 60-Minute Musicals 13 Jr. Alice In Wonderland Jr. (Disney) Aladdin Jr. (Disney) Annie Jr. Beauty and the Beast Jr. (Disney) The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot & The Kangaroo Jr. The Drowsy Chaperone Jr. Elephant & Piggie's "We Are In A Play" Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Finding Nemo Jr. (Disney) Finian's Rainbow Jr. Flat Stanley Jr. Frozen Jr. (Disney) A Ghost Tale for Mr. Dickens Jr. (Magic Tree House) Godspell Jr. Guys and Dolls Jr. Hairspray Jr. High School Musical Jr. (Disney) Honk! Jr. Into the Woods Jr. James and the Giant Peach Jr. (Roald Dahl) Junie B. Jones Jr. Legally Blonde Jr. The Lion King Jr. (Disney) The Little Mermaid Jr. (Disney) Madagascar - A Musical Adventure Jr. Mary Poppins Jr. (Disney/Cameron Mackintosh) Matilda Jr. (Roald Dahl) Mean Girls Jr. Moana Jr. (Disney) The Music Man Jr. My Son Pinocchio Jr. (Disney) Newsies Jr. (Disney) Oliver! Jr. Once on This Island Jr. Peter Pan Jr. (Broadway) The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! Jr. Seussical Jr. Shrek Jr. Singin' In The Rain Jr. Sister Act Jr. Thoroughly Modern Millie Jr. Willy Wonka Jr. (Roald Dahl) Xanadu Jr. 30-Min.ute Musicals [KIDS] 30-Minute Musicals 101 Dalmatians KIDS (Disney) Aladdin KIDS (Disney) Annie KIDS Aristocats KIDS (Disney) Dinosaurs Before Dark KIDS (Magic Tree House) Finding Nemo KIDS (Disney) Frozen KIDS (Disney) The Jungle Book KIDS (Disney) The Knight at Dawn KIDS (Magic Tree House) The Lion King KIDS (Disney) The Music Man KIDS Pirates Past Noon KIDS (Magic Tree House) Seussical KIDS Willy Wonka KIDS (Roald Dahl) Winnie the Pooh KIDS (Disney) A Year with Frog and Toad KIDS Product Information Musical Numbers Cast of Characters Credits Music by Charles Strouse Lyrics by Martin Charnin Book by Thomas Meehan Based on the Tribune Media Service Comic Strip, Little Orphan Annie Overview / Synopsis The idea of turning Harold Gray's "Little Orphan Annie" into a musical comedy was the inspiration of lyricist-director Martin Charnin, who convinced Charles Strouse and librettist Thomas Meehan to join in creating it. The show, which places Annie, Daddy Warbucks and Annie's mutt, Sandy, in New York City in the midst of the Depression, opened on Broadway on April 21, 1977. As an infant, Annie had been abandoned on the front steps of The New York City Municipal Orphanage with a note from her parents promising to return for her someday. Life in the orphanage had been rough under the strict hand of Miss Hannigan, but Annie's life was about to change. Billionaire Oliver Warbucks invites Annie to spend Christmas with him in his mansion, and together, they each discover new happiness. Warbucks soon decides he wants to adopt Annie, but when he learns about her dream of finding her parents and the secret of the half-locket she has treasured for so long, he sets his own feelings aside and orders an exhaustive search for Annie's parents. Annie went on to win seven Tony awards and became the third longest running musical of the 1970s with 2,377 performances. It also won the New York Drama Critics Circle Award for Best Musical. Writing in The World of Musical Comedy, author Stanley Green has said, "...she has unquestionably taken her place as Broadway's most beloved waif of all times." Audio Sampler - HL00102684 $10.00 ShowKit - HL09971633 $545.00 This ShowKit includes: 30 Actor's Scripts Piano/Vocal Score Director's Guide 2 Performance/Accompaniment CDs Choreography DVD Media Disc 30 Family Matters Booklets 30-Minute KIDS Request Individual Components 09971635 - Piano/Vocal Score $40.00 09971636 - Director's Guide $100.00 09971634 - Actor's Script $10.00 09971637 - Actor's Script 10-pak $75.00 09971638 - Rehearsal/Accompaniment CDs $75.00 09971639 - Choreography DVD $50.00 09971641 - Student Rehearsal CD $10.00 09971642 - Student Rehearsal CD 20 Pak $100.00 09971640 - Media Disc $10.00 00102684 - Audio Sampler $10.00 Hear A Sample Maybe [Annie] It's the Hard-Knock Life [Annie, Orphans] Tomorrow [Annie, Sandy] Little Girls [Miss Hannigan] Easy Street [Rooster, Miss Hannigan, Lily] N.Y.C. [Warbucks, Grace, Annie, Star(s)-To-Be, Ensemble] You're Never Fully Dressed Without a Smile [Tessie, July, Kate, Orphans] Maybe (Reprise) [Annie] Tomorrow (Reprise) [Warbucks, Grace, Roosevelt, Annie, Orphans, Ensemble] The Chase [Jasper, Puppies, Horace, Cruella] Cast of Characters Cast Size: Medium (11 to 20 performers) Cast Type: Children Dance Requirements: Standard Annie Annie is a complex, tough, streetwise urchin who is surprisingly vulnerable when she thinks she might lose what has become most important to her: her newfound "family." Cast an excellent actress who can act motherly, independent, overwhelmed and hopeful. She should be strong vocally and musically and be able to light up the stage in "Tomorrow!" Gender: Female Vocal range top: D5 Vocal range bottom: A3 Molly The Orphans are gritty girls that are neglected and vulnerable, yet basically honest and lovable. Cast girls that can have "mischievous" fun together, as well as "sibling style" fights. Each actress should be able to shape her own specific character, be a good singer and visually expressive. Molly is the littlest at age 6. Gender: Female Vocal range top: B4 Vocal range bottom: A3 Kate The Orphans are gritty girls that are neglected and vulnerable, yet basically honest and lovable. Cast girls that can have "mischievous" fun together, as well as "sibling style" fights. Each actress should be able to shape her own specific character, be a good singer and visually expressive. Kate is the next-to-youngest at age 7. Gender: Female Vocal range top: C5 Vocal range bottom: C4 Tessie The Orphans are gritty girls that are neglected and vulnerable, yet basically honest and lovable. Cast girls that can have "mischievous" fun together, as well as "sibling style" fights. Each actress should be able to shape her own specific character, be a good singer and visually expressive. Tessie is the cry baby at age 11. Age: 11 to 11 Vocal range top: C5 Vocal range bottom: A3 Pepper The Orphans are gritty girls that are neglected and vulnerable, yet basically honest and lovable. Cast girls that can have "mischievous" fun together, as well as "sibling style" fights. Each actress should be able to shape her own specific character, be a good singer and visually expressive. Pepper is the toughest at age 12. Gender: Female Vocal range top: Bb4 Vocal range bottom: C4 July The Orphans are gritty girls that are neglected and vulnerable, yet basically honest and lovable. Cast girls that can have "mischievous" fun together, as well as "sibling style" fights. Each actress should be able to shape her own specific character, be a good singer and visually expressive. July is the quietest at age 13. Gender: Female Vocal range top: D5 Vocal range bottom: C4 Duffy The Orphans are gritty girls that are neglected and vulnerable, yet basically honest and lovable. Cast girls that can have "mischievous" fun together, as well as "sibling style" fights. Each actress should be able to shape her own specific character, be a good singer and visually expressive. Duffy is the oldest at age 13. Gender: Female Vocal range top: D5 Vocal range bottom: C4 Miss Hannigan Miss Hannigan is a definite "has-been." Her distaste for her job should ooze from every line she delivers. Cast a strong actress with excellent comic timing. She must have a strong versatile singing voice and be able to create a character that is larger than life. Gender: Female Vocal range top: D5 Vocal range bottom: G3 Grace Farrell Grace Farrell is Oliver Warbucks's calm, cool and classy secretary. She appears businesslike when dealing with Miss Hannigan and Warbucks, yet maternal toward Annie. Cast an actress that can always appear "in control" and sophisticated. She has a small solo at the beginning of "N.Y.C." This is a great feature part for an actress who is likable, sweet and confident. Gender: Female Vocal range top: C5 Vocal range bottom: D4 Rooster Hannigan Rooster Hannigan and Lily St. Regis are the comic team who claim to be Annie's parents but are revealed to be Miss Hannigan's swindling brother and his sleazy girlfriend in disguise. These characters play off each other constantly. Consider casting performers of contrasting heights. The flashy, self-assured Rooster can even be shorter than his airhead accomplice, Lily. Cast a boy for Rooster that can convincingly pull off the "smooth gambler" persona, and vocally and physically handle "Easy Street." Consider auditioning these roles together to cast the perfect duo. Gender: Male Vocal range top: Bb4 Vocal range bottom: G3 Lily St. Regis Rooster Hannigan and Lily St. Regis are the comic team who claim to be Annie's parents but are revealed to be Miss Hannigan's swindling brother and his sleazy girlfriend in disguise. These characters play off each other constantly. Consider casting performers of contrasting heights. The flashy, self-assured Rooster can even be shorter than his airhead accomplice, Lily. Lily is a perfect role for an actress who is naturally funny, has a good sense of timing and is a strong singer. Consider auditioning these roles together to cast the perfect duo. Gender: Female Vocal range top: Bb4 Vocal range bottom: Bb3 Oliver Warbucks Oliver Warbucks is the daunting millionaire who made his fortune during World War I as an industrialist. This is a challenging role, so cast an actor that can appear middle-aged, self-assured and confident. In the beginning, Warbucks is awkwardly affectionate toward Annie and then finds himself completely charmed by her. Cast an actor who is focused and gently authoritative. His few solos in "N.Y.C." are secondary to the character commitment as an actor. Gender: Male Vocal range top: D5 Vocal range bottom: A3 Sandy Sandy is the stray dog that Annie adopts. Sandy has no lines but has the capability of earning spontaneous applause when he sings "Tomorrow" with Annie! Gender: Any Vocal range top: D5 Vocal range bottom: F4 Drake and the Servants Drake and the Servants are the loyal domestic help of Oliver Warbucks. Your kids will have fun perfecting precision steps, nods and curtsies. This group of performers sings with the ensemble and can be double cast as New Yorkers in "N.Y.C." These roles are ideally suited for performers of any ability. This is another excellent place to expand your cast. Gender: Any Apple Seller The Apple Seller opens Scene 2 speaking to Annie and giving her an apple. With just a few lines, this is a good character part for a young, inexperienced actor. Gender: Any Lt. Ward Lt. Ward is the policeman who questions Annie about Sandy, the stray dog. This is a non-singing role and great for a kid who can play an authoritative adult. This is also a great cameo role for a principal or well-known community member. Gender: Male Bert Healy Bert Healy is the classic announcer on a radio show of the era. This is a non-singing role and is perfect for someone who is naturally funny with a big voice. Gender: Male Bundles Bundles is the laundryman for the orphanage. This is a minor speaking role and is perfect for the actor who can create a likeable character. A great spot for an actor who is not quite ready for a large part. Gender: Male President Franklin D. Roosevelt President Franklin D. Roosevelt is enlisted by Oliver Warbucks to help locate Annie's parents. He will be pushed onstage in a wheelchair and delivers a momentous line about "A New Deal!" This is an excellent spot to cast an actor who is not quite ready for a large part or who doesn't have a strong singing voice. Gender: Male Louis Home Louis Howe is President Roosevelt's trustworthy aide. This is a great role for someone new to performing. Gender: Male Star(s)-To-Be Star(s)-To-Be is a glamorous diva in the number "N.Y.C." Feel free to cast multiple girls in this part and split the singing solos between them. Although this is not a speaking role, cast a girl that can confidently sing and act. Gender: Female Vocal range top: D5 Vocal range bottom: Ab3 Usherette The Usherette ushers Warbucks, Annie and Grace to their seats in the Roxy at the end of "N.Y.C." She has one line and then sings with the ensemble. New Yorkers The New Yorkers are comprised of a wonderfully colorful collection of characters, usually identified by their occupation. It is great fun to have your students explore and develop these characters in the historical context of the 1930s. Some ideas for these roles are: street vendors, homeless people, tourists, taxi drivers, newsboys, pickpockets, street cleaners, mothers and children, additional stars-to-be, and news reporters. Gender: Any
Lee Dengler | Hal Leonard Lee Dengler Lee Dengler received a Bachelor of Music and Master of Music degrees from West Chester University School of Music in West Chester, PA. He studied choral composition and arranging with Alice Parker at Westminster Choir College as well as in her home in New England where he participated in the Melodious Accord Fellowship program. Lee and his wife, Susan, live in Goshen, Indiana where they are Ministers of Music and Arts at College Mennonite Church. Together they oversee a fully graduated vocal and handbell choir program. Lee directs the 60-voice adult choir. Also, he is a freelance editor and engraver for several major sacred music publishers in the United States. Lee is a bass/baritone soloist and has sung in recitals in many churches and in numerous oratorio and operatic productions. He directs the Goshen Community Chorale, a 60- to 70-voice organization which performs a wide range of choral repertoire. Composing has always been a passion for Lee, beginning very early in life. Lee grew up in a Mennonite church in eastern Pennsylvania where four-part a cappella congregational hymn singing was the norm. This planted in him a deep love for singing. This love continues to be an influence in his writing today. Lee composes a wide range of choral, vocal and piano works and has over 220 works published by most of the nation's major music publishers. Lee and Susan have two married children and four, very cute, extremely intelligent, highly talented, incredible...grandchildren. Publications by Lee Dengler
Once on this Island Jr. - Broadway Junior | Hal Leonard Menu LEARN MORE About Broadway Junior What Comes With the Showkit®? How to License a Broadway Junior Musical Order an Audio Sampler Frequently Asked Questions 60-Min.ute Musicals [JR.] 60-Minute Musicals 13 Jr. Alice In Wonderland Jr. (Disney) Aladdin Jr. (Disney) Annie Jr. Beauty and the Beast Jr. (Disney) The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot & The Kangaroo Jr. The Drowsy Chaperone Jr. Elephant & Piggie's "We Are In A Play" Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Finding Nemo Jr. (Disney) Finian's Rainbow Jr. Flat Stanley Jr. Frozen Jr. (Disney) A Ghost Tale for Mr. Dickens Jr. (Magic Tree House) Godspell Jr. Guys and Dolls Jr. Hairspray Jr. High School Musical Jr. (Disney) Honk! Jr. Into the Woods Jr. James and the Giant Peach Jr. (Roald Dahl) Junie B. Jones Jr. Legally Blonde Jr. The Lion King Jr. (Disney) The Little Mermaid Jr. (Disney) Madagascar - A Musical Adventure Jr. Mary Poppins Jr. (Disney/Cameron Mackintosh) Matilda Jr. (Roald Dahl) Mean Girls Jr. Moana Jr. (Disney) The Music Man Jr. My Son Pinocchio Jr. (Disney) Newsies Jr. (Disney) Oliver! Jr. Once on This Island Jr. Peter Pan Jr. (Broadway) The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! Jr. Seussical Jr. Shrek Jr. Singin' In The Rain Jr. Sister Act Jr. Thoroughly Modern Millie Jr. Willy Wonka Jr. (Roald Dahl) Xanadu Jr. 30-Min.ute Musicals [KIDS] 30-Minute Musicals 101 Dalmatians KIDS (Disney) Aladdin KIDS (Disney) Annie KIDS Aristocats KIDS (Disney) Dinosaurs Before Dark KIDS (Magic Tree House) Finding Nemo KIDS (Disney) Frozen KIDS (Disney) The Jungle Book KIDS (Disney) The Knight at Dawn KIDS (Magic Tree House) The Lion King KIDS (Disney) The Music Man KIDS Pirates Past Noon KIDS (Magic Tree House) Seussical KIDS Willy Wonka KIDS (Roald Dahl) Winnie the Pooh KIDS (Disney) A Year with Frog and Toad KIDS Product Information Musical Numbers Cast of Characters Credits Book and Lyrics by Lynn Ahrens Music By Stephen Flaherty Based upon the Novel "My Love, My Love" by Rosa Guy Originally Directed and Choreographed on Broadway by Graciela Daniele Overview / Synopsis Once on This Island JR is the authorized young performer's edition of Lynn Ahrens and Stephen Flaherty's story of "two worlds, never meant to meet," where the power of love is proven to conquer the power of death - a lesson well told for generations to come. Once on This Island is an engaging, Caribbean-flavored musical set on an unnamed island in the French Antilles. The story of Ti Moune, a peasant girl who falls in love above her class, is told around a fire by a group of Caribbean peasants as they wait out a terrible storm. Once on This Island uses the tradition of storytelling to pass down history, values and insight from one generation to the next. The result is a lesson to be passed along for generations to come. With the gods looking over her, Ti Moune's journey of unrequited love comes to prove that the power of love is stronger than the power of death. Ti Moune's courage and spirit prove that love can withstand the storm, cross the Earth, and survive even in the face of death. With rhythms of the Caribbean Islands, this show will be a favorite of performers and audiences alike! The Broadway Junior Collection now offers this Lynn Ahrens and Stephen Flaherty score in an adapted format perfect for young performers! Audio Sampler - HL00113121 $10.00 ShowKit - HL09971751 $695.00 This ShowKit includes: 30 Actor's Scripts Piano/Vocal Score Director's Guide 2 Performance/Accompaniment CDs Choreography DVD Media Disc 30 Family Matters Booklets 60-Minute JR. Request Individual Components 09971753 - Piano/Vocal Score $40.00 09971752 - Director's Guide $100.00 09971754 - Actor's Script $10.00 09971757 - Actor's Script 10 Pak $75.00 09971755 - Performance/Accompaniment CD $75.00 09971756 - Choreography DVD $50.00 09971678 - Student Rehearsal CD $10.00 09971758 - Student Rehearsal CD 20 Pak $100.00 09971677 - Media Disc $10.00 00113121 - Audio Sampler $10.00 Hear A Sample Prologue/We Dance [Storytellers] One Small Girl/Waiting for Life [Asaka, Erzulie, Papa Ge, Tonton, Mama, Ti Moune, Storytellers] And the Gods Heard Her Prayer/Rain [Asaka, Agwe, Erzulie, Papa Ge, Storytellers] Discovering Daniel/Pray [Storytellers, Ti Moune, Tonton, Mama, Gatekeeper, Peasants] Forever Yours [Ti Moune, Daniel, Papa Ge, Storytellers] Ti Moune [Ti Moune, Tonton, Mama] Mama Will Provide [Asaka, Storytellers] The Human Heart [Erzulie, Storytellers] Pray - Reprise/The Ball [Gossipers, Father, Storytellers, Andrea, Daniel] Ti Moune's Dance [Mama, Tonton, Little Ti Moune] Andrea Sequence [Andrea, Ti Moune] Promises/Forever Yours - Reprise [Papa Ge, Erzulie, Storytellers] Wedding Sequence [Storyteller (Asaka)] A Part of Us/Why We Tell the Story [Company] Bows/Exit Music [Orchestra] Little Girl/Little Ti Moune Little Girl/Little Ti Moune is the perfect role for a very young performer. This girl should be able to stay focused and listen. The role also requires some singing with the ensemble. Storytellers 1-4 Storytellers 1-4 are the four narrators that tell the story of Once on This Island Jr. They can be male or female. Not only do they sing the bulk of the show, but they also focus the audience's attention on important events throughout the production. These four roles are the true leads! Mama Euralie Mama Euralie is the symbolic mother of us all. She should possess a nice voice, and be a good actress. Be sure to audition Mama with Tonton as you will want to cast two people who perform well together, look like a couple and have stage chemistry. Tonton Julian Tonton Julian is the loving adopted father of Ti Moune. The actor who plays this role should have a nice voice, and be a good actor. It helps to cast a boy whose voice has changed, although not necessary. Ti Moune/Peasant Girl Ti Moune/Peasant Girl is the focus of our story and is featured in solo songs and dance. The actress performing this role should have an excellent voice and be an excellent dancer. The music Ti Moune sings is written in a pop style. Daniel Beauxhomme Daniel Beauxhomme is the male ingenue in Once on This Island Jr. Cast a young man who has a nice voice. Pair up potential Ti Mounes and Daniels at your final audition. Daniel's Son Daniel's Son is a very small walk-on part at the very end of the show. Cast a younger actor who resembles older Daniel. The actor need not sing and has no dialogue. The Gatekeeper The Gatekeeper has one scene. He should be impressive in size with a booming voice. Daniel's Father Daniel's Father is not sympathetic or understanding of his son's wishes, unlike Tonton Julian. This is a small role, requiring some singing and acting. Andrea Andrea is Daniel's beautiful fiancee. She is refined, educated and the exact opposite of Ti Moune. Papa Ge Papa Ge is the self-described "sly demon of death." The actor performing the role should have a nice voice and an evil laugh. Asaka Asaka is the Goddess of the Earth and sings one of the most popular and fun songs of the show, "Mama Will Provide." Cast an excellent singer who moves well and is capable of an earthy look. Agwe Agwe is the God of Water. He has a solo early in the show that requires an excellent voice ("Rain"). Cast an actor capable of singing the song. Erzulie Erzulie is the triumphant Goddess of Love. She should have a pretty voice that is compatible with a pop style of singing. Gossipers 1-7 Gossipers 1-7 are one-line features - a great place to cast performers who may not quite be ready for a larger role, but deserve a feature line or two. Choir of Storytellers Choir of Storytellers (who also play peasants, villagers, guests and grand hommes) is easily expandable to accommodate as many young people as necessary. Cast any young person with the desire to perform.
Disney's High School Musical Jr. - Broadway Junior | Hal Leonard Menu LEARN MORE About Broadway Junior What Comes With the Showkit®? How to License a Broadway Junior Musical Order an Audio Sampler Frequently Asked Questions 60-Min.ute Musicals [JR.] 60-Minute Musicals 13 Jr. Alice In Wonderland Jr. (Disney) Aladdin Jr. (Disney) Annie Jr. Beauty and the Beast Jr. (Disney) The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot & The Kangaroo Jr. The Drowsy Chaperone Jr. Elephant & Piggie's "We Are In A Play" Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Finding Nemo Jr. (Disney) Finian's Rainbow Jr. Flat Stanley Jr. Frozen Jr. (Disney) A Ghost Tale for Mr. Dickens Jr. (Magic Tree House) Godspell Jr. Guys and Dolls Jr. Hairspray Jr. High School Musical Jr. (Disney) Honk! Jr. Into the Woods Jr. James and the Giant Peach Jr. (Roald Dahl) Junie B. Jones Jr. Legally Blonde Jr. The Lion King Jr. (Disney) The Little Mermaid Jr. (Disney) Madagascar - A Musical Adventure Jr. Mary Poppins Jr. (Disney/Cameron Mackintosh) Matilda Jr. (Roald Dahl) Mean Girls Jr. Moana Jr. (Disney) The Music Man Jr. My Son Pinocchio Jr. (Disney) Newsies Jr. (Disney) Oliver! Jr. Once on This Island Jr. Peter Pan Jr. (Broadway) The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! Jr. Seussical Jr. Shrek Jr. Singin' In The Rain Jr. Sister Act Jr. Thoroughly Modern Millie Jr. Willy Wonka Jr. (Roald Dahl) Xanadu Jr. 30-Min.ute Musicals [KIDS] 30-Minute Musicals 101 Dalmatians KIDS (Disney) Aladdin KIDS (Disney) Annie KIDS Aristocats KIDS (Disney) Dinosaurs Before Dark KIDS (Magic Tree House) Finding Nemo KIDS (Disney) Frozen KIDS (Disney) The Jungle Book KIDS (Disney) The Knight at Dawn KIDS (Magic Tree House) The Lion King KIDS (Disney) The Music Man KIDS Pirates Past Noon KIDS (Magic Tree House) Seussical KIDS Willy Wonka KIDS (Roald Dahl) Winnie the Pooh KIDS (Disney) A Year with Frog and Toad KIDS Product Information Musical Numbers Cast of Characters Credits Book by David Simpatico Songs by Matthew Gerrard & Robbie Nevil; Ray Cham, Greg Cham & Andrew Seeley; Randy Petersen & Kevin Quinn; Andy Dodd & Adam Watts; Bryan Louiselle; David N. Lawrence & Faye Greenberg; Jamie Houston Music Adapted, Arranged and Produced by Bryan Louiselle Based on a Disney Channel Movie Written by Peter Barsocchini Overview / Synopsis One of the biggest pop-culture phenomena in recent memory, High School Musical topped the music charts and broke records within weeks of its 2006 Disney Channel premiere. Follow the antics of East High's most popular student as they come alive on your stage in this fun-tastic, family-friendly show that only Disney can bring you. Get'cha head in the game! Audio Sampler - HL00287703 $10.00 ShowKit - HL00287704 $695.00 This ShowKit includes: 30 Libretto/Vocal Books Piano/Vocal Score Director's Script 2 Performance/Accompaniment CDs Choreography DVD 30 Family Matters Booklets Production Handbook Cross-Curricular Book 60-Minute JR. Request Individual Components 00287697 - Piano/Vocal Score $40.00 00287696 - Director's Guide $100.00 00287694 - Actor's Book (Single) $10.00 00287695 - Actor's Book (10-Pak) $75.00 00287698 - Performance/Accompaniment CD $75.00 00287702 - Media Disc $10.00 00287701 - Choregraphy DVD $50.00 00287699 - Student Rehearsal CD (Single) $10.00 00287700 - Student Rehearsal CD (20-Pak) $100.00 00287703 - Audio Sampler $10.00 Hear A Sample Scene 1 Wildcat Cheer [All] Start of Something New [Troy, Gabriella, All] Scene 4 Get'cha Head in the Game [Troy, Jocks] Get'cha Head in the Game (Playoff) [Troy, Jocks] Scene 7 Auditions (Bop to the Top / What I've Been Looking For) [All] What I've Been Looking For [Ryan, Sharpay] What I've Been Looking For (Reprise) [Troy, Gabriella] Scene 9 Stick to the Status Quo [All] Scene 14 Counting On You [Chad, Taylor, Zeke, Martha, Brainiacs, Jocks] Scene 16 We're All in This Together [All] Scene 17 Bop to the Top [Sharpay, Ryan, Jocks, Brainiacs, All] Breaking Free [Troy, Gabriella, All] Scene 18 We're All in This Together (Reprise) [All] Bows High School Musical Megamix [All] TROY BOLTON Troy Bolton, the most popular kid at East High, is the star of the basketball team who yearns to be more than what people want him to be. Troy discovers he loves to sing, but is afraid to admit it to his friends. Look for a solid young actor who can convey the full range of emotions and character traits Troy Bolton embodies: athletic, independent, sometimes shy, smitten with Gabriella, a true leader. Troy should be your strongest male singer and able to sing from his heart in a naïve yet convincing manner. He should also be able to move like a natural athlete while dancing and singing. JACK SCOTT Jack Scott is the nerdy school announcer who trips over his own feet. Think about casting a student who will make this role his own and can portray a "gift of gab" radio voice. Jack can be quirky in all aspects: looks, dress and comportment. Most importantly, look for a character actor with superior diction and good comic timing. CHAD DANFORTH Chad Danforth is a hot-wired jock, second in command to Troy. He is focused on winning his school's basketball championship, but is slowly understanding that there might be more to this world, including his sparring crush on Taylor. Look for an actor that partners naturally with Troy, is a leader in his own accord, and can handle Chad's couple of solos and large number of acting scenes. RYAN EVANS Ryan Evans is Sharpay's fraternal twin and a star in the making. This character loves singing, dancing and lots of attention. He follows Sharpay's orders, but wants to break free from her shadow. Choose a "triple threat" for this actor: strong singer, dancer and actor. Everything Ryan does is calculated and executed impeccably. It will probably be helpful to audition Ryan and Sharpay in pairs as the success of "Bop to the Top" depends on the duo. ZEKE BAYLOR Zeke Baylor is a basketball player on the Wildcats Team. He has two secrets: a crush on Sharpay and a love for baking! Zeke and Chad are the most prominent of Troy's friends, so look for an actor that can work with them while being able to stand out in his own spotlight, especially when he reveals his secrets! Zeke has solos, so make sure your actor can sing as well as act. COACH BOLTON Coach Bolton is the stern basketball coach and Troy's dad. He lost the big game years ago and wants a second chance through his son. Cast a student that can handle the demands of acting older than almost everyone else in the show. Coach Bolton is primarily an acting role, so focus on finding a student who can convincingly spar with Ms. Darbus. GABRIELLA MONTEZ Gabriella Montez is the new girl in school. Gabriella is intelligent, pretty ("girl next door" type) and shy. She possesses a fantastic voice when she sings with Troy. Look for a girl that can take positive risks with both her acting and singing. She must be able to portray her intelligence and independence and then easily switch over to her shy and vulnerable side. Cast an actress with a strong sense of pitch and the ability to hold her own with a partner in order to make the most of this role. Make sure a portion of your audition is seeing your potential Troys and Gabriellas as a pair. TAYLOR MCKESSIE Taylor McKessie, the head Brainiac of the school, is the president of the Science Club. She wants Gabriella to join the Science Decathlon team so they can finally win the competition. Taylor has a hidden soft spot for Chad, which might be why she is always making fun of him. Cast a girl that can portray Taylor's assertiveness as well as sing a solid solo. SHARPAY EVANS Sharpay Evans is the egocentric star of the school musicals. She is Ryan's older twin (and the alpha dog of the two) and has a mad crush on Troy. Sharpay has never met a mirror she didn't like. Look for someone who can portray a diva and has solid acting chops and strong singing and dancing skills. Sharpay knows how to work a crowd. She is in a good number of scenes, so cast an actress that can handle this sizable role. MARTHA COX Martha Cox is a proud member of the Science Club and is brainy with a secret love of dancing. She has a fun-loving sidekicky personality and becomes an adoring devotee of Gabriella. Cast an actor who is kind and funny. The role has important featured solos but the voice quality is not as important as the character. If you have a student that can show off some crazy brake dancing moves, bravo! Brava! KELSI NIELSEN Kelsi Nielsen is a thespian rehearsal pianist and student composer extraordinaire. Underneath her shy demeanor, Kelsi has no tolerance for people (read: Sharpay) who use their talent only to be number one. Cast an actor who can play the underdog but has the intelligence and ability to shoot the "zingers" at Sharpay with timing and accuracy. She must be coached to look like a pianist as she continually accompanies onstage. Kelsi has a small solo in "We're All in This Together," but it is secondary to her acting importance. The "group hug" with Troy and Gabriella has unbeatable charm if you cast a student who is smaller than the other two. MS. DARBUS Ms. Darbus is the eccentric drama teacher. She is an amusing blend of Gertrude Stein and Ethel Merman. Passionate and disciplined, she is always trying to expose students to the enrichment and fun of theatre. Cast an actress who knows how to milk every word, phrase and gesture for this role. She must make her eccentricities appear second nature. Ms. Darbus's acting skills and timing should be topnotch; her singing voice is secondary as she has no solos. Ms. Darbus exudes wacky, yet it doesn't detract from her true love of theatre and her students. ENSEMBLE The ensemble makes up all the other characters who populate East High School: Jocks, Brainiacs, Thespians, Skater Dudes, Cheerleaders, Ms. Tenny, Science Decathlon Moderator, etc., with a few featured solo parts further described below. The ensemble is present throughout the show and provides the vocal power for the group numbers. These roles vary in size and in vocal, acting and dance requirements, so you can cast performers with a wide range of abilities. The ensemble participates in several self-contained numbers, which provide great opportunities to use groups of students that can rehearse together. (For example, the sixthgrade chorus in one number, the seventh-grade classes in another, etc.) Don't be afraid to mix your age groups here. Look for students whose enthusiasm and ability to take direction can allow your ensemble to look like a perfect representation of your school and community. RIPPER Ripper is a cool skater dude who is, lo and behold, a cello player! Cast a student who can sell this fun "double personality" with one short but sweet air cello solo!   In the big Audition scene, JAMES is the auditionee who sings so badly off key it would scare anyone! Cast a person who can confidently sound bad... this can be a challenge for a good musician. SUSAN is the "pop star wanna be" audition candidate. Cast someone who is not afraid to go over-the-top with this short yet humorous part. CATHY is the auditionee who can belt like Ethel Merman! Cast a student that can fill the auditorium with her voice. It doesn't need to be pretty! CYNDRA is the final auditionee and she sounds like an opera audition for the Met. If you have a young singer that can imitate an obnoxious vibrato in a serious manner, there's your perfect choice!
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